Jason Victor Serinus

Truth from the Lyre: Orpheus Lab With Wadax and Kroma

Drawn by the lyre emblem on the faceplate and the promise of Swiss engineering, I took note in early April when longtime distributor Jay Rein of Bluebird Music was named exclusive North American distributor for Orpheus Lab. My interest deepened when I learned about Orpheus Lab’s five Absolute components ($12,900–$22,900/each) and the brand’s newer Heritage Opus II lineup.
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Soulnote and YG Acoustics: the Art of Listening Over Measuring

Soulnote, a Japanese brand established in 2004 by former Marantz Japan director Norinaga Nakazawa, made a strong showing at its third Munich High End. Present in Soulnote’s exhibition space were the handsome P-3 preamplifier ($22,990), M-3 monoblocks ($21,990 each), and a turntable outfitted with a DS Audio DS E3 optical cartridge ($2750). A pair of M-3 monoblocks are headed my way for review, so I’ll soon have a handle on what these babies can deliver in my system.
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Thales, Stenheim, Master Fidelity, Boulder, Pink Faun, and the Turntable That Waited

Before the show, I’d heard rumblings about the new Swiss-made Thales Reference turntable. Art Dudley had previously reviewed the Thales TTT-Compact turntable and Simplicity II tonearm, writing: “In 34 years of writing about playback gear, I have seen no products better made than the Thales turntable and tonearm, and precious few that equal them.”
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Amphion and NuPrime: In This Quiet Booth, Finland Spoke

Having recently read Tom Fine’s review of Amphion’s flagship floorstanders, the Krypton3X ($25,000/pair), in the June issue of Stereophile, I was eager to hear them. As luck would have it, the Finnish speaker company’s display in one of the MOC’s four huge halls included a small, sound-proofed listening booth. Before heading inside, I encountered Amphion CEO Anssi Hyvönen, who founded the company in 1998.
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