Jim Austin to the rescue. To his query, "How would you like to review a tube preamp from Canor, of Slovakia?" I answered with an enthusiastic "yes!"
In addition to the exciting prospect of reviewing the first tubed preamplifier to come my way in a long time, hearing the Canor Hyperion P1 preamplifier ($12,500) in my system would enable me to get a handle on the sound of gear I'd only encountered once, at High End Munich 2024. As is often the case at shows, I left without a clear sense of the preamp's contribution to the system's sound, let alone its ultimate potential.
Despite the impact of the Trump tariffs, Munich attendance figures were again impressive. With 323,000 square feet of exhibition space—that's seven and a half acres!—High End Munich '25 welcomed 10,562 trade visitors from 87 countries; 11,675 consumer attendees from 63 countries; and 581 media representatives from 43 countries. While the Munich event may not be audio's most popular—depending on how you count attendees, the Hong Kong, Warsaw, and AXPONA shows may attract more unique visitors—it is unquestionably the meeting place for consumers and distributors.
