Jason Victor Serinus

After lunch, I wandered into the Joseph Audio room. I had initially encountered Jeff Joseph on Wednesday afternoon as he was attempting to cart four huge boxes of equipment into the hotel by stacking them one atop the other on a flimsy two-wheel luggage cart. Needless to say, upon encountering a small hump at the hotel threshold, the poor thing began to bend under the weight, unceremoniously depositing Jeff's boxes on the floor. Like someone kicking a mule whose hind legs have collapsed under it, Jeff attempted to wrestle with the beast, trying to convince it to perform its intended duty. The man may have the wherewithal to produce uncommon speakers that have received three "Best Sound at the Show" honors, but he seems to share a common human failing with yours truly—an occasional refusal to acknowledge the obvious.

Today I awoke determined to have no agenda. Start on the third floor of the LAX Sheraton Gateway, begin walking about, and see where you're led.

My final audition before attending the warm, "family affair" Classics Records press conference took place in Elliot Midwood's Acoustic Image room, which displayed gear he sells at his store in Studio City, CA. Once I spyed the same ESP Concert Grand SI speakers ($40,000/pair ) that drove <A HREF="http://www.stereophile.com/thefifthelement/406fifth">John Marks into ecstasy in April</A>, I had to listen. Amplification came complements of Wavestream Kinetic V8 monoblocks, which output 250&ndash;300W in triode mode ($35,000). Also on hand were the fabled Messenger preamp and the Lector four-chassis CD Drive and DAC ($9000).

It may read like a page out of a classic corporate crime thriller, but the threat is real. ExpoPul, a company whose factory in Saratov, Russia manufactures vacuum tubes under the brand names Sovtek, Electro-Harmonix, Tungsol, Svetlana, Mullard, and others&mdash;tubes that include the 6H30 "super tube"&mdash;is threatened by one of the many Russian corporate "raiders" who are increasingly stealing businesses from their rightful owners. If the threatened hostile takeover proves successful, two-thirds of the world's supply of vacuum tubes&mdash;tubes vital to the sound of audiophile gear and instruments from such well-known companies as McIntosh, Audio Research, BAT, Jadis, Fender, KORG, Peavey, Vox, Soldano, Carvin, Ampeg, and Crane&mdash;could become a thing of the past.

On May 4, <A HREF="http://www.fortunaclassical.com">Fortuna Classical Music</A> announced release of their Maestro music server, "the first and only music player for the classical music enthusiast." Maestro's launch coincides with a major two-page centerfold spread in the June issue of <I>Gramophone</I> magazine's North American edition, followed by a single-page <I>Gramophone</I> advertisement in July that will include a promo CD.

Enjoying classical music performed on original instruments has just gotten easier. After 25 years of issuing recordings on LP and CD, the invigorating Philharmonia Baroque Orchestra has decided instead to make recordings of its live performances available for download.

The Consumer Electronics Association (CEA), the producer of the International Consumer Electronics Show (CES), has finally confirmed the rumors that have been circulating for many weeks: The industry sector that CEA terms "high-performance audio" will move from its customary venue at the Alexis Villas (originally the Alexis Park) to the Venetian Hotel in 2007. In addition, "high-performance audio" and "high-performance home theater" will now be represented under the same umbrella.