Jason Victor Serinus

There were multiple world and North American premieres in the large room shared by JMF Audio and Ideon Audio. The exhibit was set up by the two companies' North American distributor, Michael Vamos's Audio Skies, in cooperation with Michael Farnsworth's dealership, Farnsworth Audio, of Draper, UT.

Once again, VAC paired four of its amplifiers with Von Schweikert loudspeakers in a huge room sponsored by The Audio Company. Distinguished by sophisticated lighting design and fabulous sound, this system, which can fill rooms far larger than the Dutch & Dutch 8cs that so impressed me at PAF, vied with them for my personal Best of Show.

It took two visits until this room got silent enough for me to get a handle on what was going on sound-wise. There was a lot going on, and it was not always easy to parse.

The big items of note were prototype Spatial Audio Lab open-baffle loudspeakers (price and release date TBD) that descend to 30Hz and two components from Don Sachs and Lynn Olson Design, the Statement 300B monoblock amplifiers ($18,500–$19,900/pair) and Raven preamplifier ($4600). Both products will be manufactured by Spatial Audio Lab later this year.

As much as I attempted to skip equipment we'd recently explored in Chicago, Munich, and/or Costa Mesa, my uncertainty about the intrinsic sound of CH Precision Series 1 equipment impelled me to check out their exhibit from greater Seattle dealer Audio-Ultra. While not everything in the system was from CH Precision—Ideon supplied the Absolute Epsilon DAC ($47,000), Absolute Epsilon Stream ($19,900), and Absolute Epsilon Time Signature V clock ($22,000), all of which complemented Aurender's N20 music server ($12,500)—there was sufficient CH Precision equipment in the chain to draw some conclusions.