Besides the TIA's thick copper top deck (and copper remote handset), the 280R features full point-to-point-wired, dual-mono construction with one GZ34 rectifier tube per channel
I am an Anglophile and a Brit-fi guy. I just am. Back in 1982 I really wanted a wood-cased A&R Cambridge A60 to drive my Rogers LS3/5a speakers. But I couldn't afford its modest price. Somewhere around then, this venerable UK company simplified their name to Arcam.
Look at that photo, with the beautiful wood-plinthed KT88 amp. What do you notice? That's not a dCS digital stack lying on the table bottom-right: It's an iPad. A fancy red cable, whose name I forgot to get, is connecting a portable music source to the line-level input of a $1850 single-ended stereo integrated headphone amplifier called the Mogwai.
Technics spent all of 2016 re-emerging into the Euro-American audio marketand they did it with full-on high Japanese style and connoisseur-level sound. At last year's CES, Technics introduced their Grand, Premium, and Reference class audio productsincluding the 100 percent new SL-1200GAE/G/GR turntables! They made a big splash then, and now they're doing it again.
Today, in Vegas, DeVore's super-sensitive Orangutan O/96 loudspeakers ($12,000/pair) were powered by Sugden's Masterclass LA-4 line preamplifier ($3750) and Sapphire FBA800 40Wpc class-A amplifier ($7500). The system was playing Sharon Jones and the Dap-Kings (on Daptone Records) with super cool but hot-running LP joy.
The one that has me the most stoked is the Rogers High Fidelity 65V-1 class-A, single-ended EL34/KT88 integrated amplifier ($3999). Not to mention: I have never seen an amp painted with industrial-black crinkle paint that I didn't love.
Both sides of the Atlantic are making tube products that (again) sound at least a little like actual vacuum tubes and less like high-strung solid-state racing cars. Both cultures now want genuine tube sound but demand 21st century tube longevity and reliabilityand, of course, a discrete headphone amplifier.
Emotiva looked so direct-sales, street-wise smartand everybody was talkin’ about how musical Emotiva’s stuff sounds: “It sounds goodand they're givin’ it away!” I couldn’t wait to try one of their products.
The Micromega M-One has more features than any of those silver-age contraptions, but to my eye, it is the purest, most high-design-beautiful audio machine on the planet. And, of course, it's made in France.
I visited the VTL room three times, collecting photos and data, and every time Luke was smiling his big Luke-smile: "Herb, how can I help you?" The room was well-litand yet I failed to get good pictures.