Ken Micallef

Danish loudspeaker maker Storgaard & Vestskov, a relatively young company, operates from Bornholm, a small island in the Baltic Sea. Their 150,000ft² production hub handles everything in-house: R&D, milling, varnishing, and final assembly.

Being an audio reporter definitely has its perks—like when you're in a spacious Munich room, listening to top-tier systems deliver music with astonishing scale and precision.

Lucca Chesky’s LC1 bookshelf speaker was a hit at AXPONA and Capital Audiofest, so it made sense to see Chesky’s stand positioned prominently outside one of High End Munich’s large halls.

By this stage of the Munich show, I was frazzled but still hungry for more. The Thrax/Ramar room delivered, with Thrax's Rumen Artarski and Ramar's Rangel Vasev presenting a compact, well-executed system and a set of ingenious vinyl accessories.

Advance Paris. The name might evoke images of WWII’s French Resistance or even the cold suspense of The Day of the Jackal. But for audiophiles, Advance Paris has a different, equally compelling meaning: it’s a 30-year-old French hi-fi company that manufactures integrated amplifiers, stereo and mono power amps, preamps, and CD/network players.

Robert Auer of Auer Acoustics isn’t just selling loudspeakers—he’s curating a lifestyle. A shrewd furniture designer, Auer showcased his holistic vision at the Munich show, integrating his Mr. Auer Chair ($110, prices approximate when converted from Euros) and Auer Acoustics Panzerholz Rack ($5700) into his sound system. His website [robertauer.com] further blurs the lines, offering everything from recipes to kitchen solutions and even a custom trolley for his signature chair. This approach transcends audio, offering an entire, well-appointed existence.

Cary Audio’s Billy Wright, with his characteristic Southern charm, introduced a pair of new offerings at High End Munich: the Cary Audio SLP-300 preamplifier and the Cary Audio DMS-300A streaming integrated. Prices are yet to be announced.