In the Bayshore Ballroom: Technical Audio Devices
Japan's TAD had two rooms at FLAX, including the large Bayshore ballroom, which itself contained two systems, each with two pairs of speakers. Both systems wowed me.
Japan's TAD had two rooms at FLAX, including the large Bayshore ballroom, which itself contained two systems, each with two pairs of speakers. Both systems wowed me.
Dealer Scott Walker Audio, which has showrooms in Anaheim, California, and Keller, Texas, and Synergistic Research presented several new products at FLAX including the Synergistic Voodoo streamer erver ($14,995); the PowerCell 8 SX conditioner ($3495); and SRX USB ($5995), Ethernet ($5995), and XL Power cables ($13,000).
In the photo above, worker bees Megan Bovaird and Matt Bochicchio welcome you to the sixth annual Florida International Audio Expo (FLAX), held this year and all non-COVID years at the Embassy Suites by Hilton, in Tampa, Florida.
Luxman's new flagship integrated, the L-509Z, has the same thick aluminum top plate and steel casework as its forebear and weighs a similarly knee-crushing 64lb. The older L-509X cost $9495; its newer, younger sibling rachets that up to $12,495. The front-panel controls are nearly identical, including those big, eye-catching dual VU meters; except for a new 4.4mm Pentaconn five-conductor mini headphone jack and a mute button, the Z matches the cosmetics of the X to a T. But as in all things, appearances can be deceiving.
From 1972's Can't Buy a Thrill to 1980's closing act Gaucho, Bard sages Walter Becker (19502017) and Donald Fagen occupied a place in pop music as unique as their songs' references to "wild gamblers," "midnight cruisers," "bodacious cowboys," and a female protagonist who "prays like a Roman with her eyes on fire." Much later, Becker and Fagen returned to the studio, issuing Two Against Nature to an audience still hungry for their singular R&B-and jazz-based music.
Back then, I made friends with a big-eared clique that would influence my future in hi-fi: audio writer Michael Lavorgna (currently editor at TwitteringMachines.com); NYU law professor Jules Coleman; former Stereophile deputy editor and current AudioQuest director of communications Stephen Mejias; record-industry veteran Andrew Klein; composer Dan Cooper; illustrator Jeff Wong; vacuum-coffeemachine collector and audiophile Margery Budoff, who regrettably passed in 2015; Tone Imports' Jonathan Halpern; and DeVore Fidelity proprietor-designer John DeVore.
Voxativ's Ines Adler and Christopher Cunningham brought the full Voxativ experience from Berlin to Rockville, including the new and revised Voxativ Ampeggio back-loaded horn with AC-1.9 full-range driver loudspeaker ($12,900/pair).
It was hard to find focus in Victor Kung's room. Between the nearly invisible AER BD3B/650mm full-range open-baffle speakers ($9800/pair) and the various amps on static display—Sun Valley SV-1616D 300B integrated amp ($2450), or the Elekit TU-8900 ($3050) or Elekit TU-8850 ($1850) power amps—my palms felt sweaty, my head, dizzy. Is this SET-amp lover’s heaven?
Japan’s Technical Audio Devices Laboratories, Inc. (TAD) brought several products to CAF, including the US debut of the TAD Grand Evolution One (GE1) floor-standing speakers ($65,000/pair) and new TAD C1000 preamplifier ($24,950).
Dan Wright of ModWright Instruments Inc., partnered with Cardas Audio, Acora Acoustics, and Woodsong Audio to bring his new compact, affordable 9-series products, which are "based on our Reference Designs," Wright told me in a preshow email.