I walked into the unassuming Fern & Roby Audio/Modwright Instruments room and spied, sitting in a chair with camera in hand, Twittering Machines’ editor/CEO, Michael Lavorgna. Michael and I go back to the days of Quartz glass, Coke in bottles, and 6Moons.com, from whence we both came. Michael smiled and directed me toward the Fern & Roby beer coasters, beige cork jobs each with an illustrated tube (and noted tube type).
Nothing soothes the frayed nerves of this CAF reporter like an Audio Note UK system, which consistently provide some of the most human, sweet, natural sounding hi-fi equipment at shows year in and year out.
Treehaus Audiolab's Richard Pinto likes field coil speakers, tube-rectified power supplies, and 300B power tubes. All are present in products enjoying their debut at Capital Audiofest 2021.
When I walked into the Volti Audio/Border Patrol Audio/Triode Wire Labs’ room, Volti’s head honcho Greg Roberts said, “Ken, remove that mask.” I did as the man asked, as all present were vaccinated, and accepted a happy hour drink from Triode Wire Labs’ Pete Grzybowski. I saw Border Patrol’s Gary Dewes smile, and knew I was with friends.
GT Audioworks presented their Reference 3 Planar Ribbon Speakers ($49,000/pair), which debuted in January 2021.
In the third floor Eisenhower room, Valerio Cora brought his Acora Acoustics SRC-2 Loudspeakers ($37,000/pair) joined to the Transrotor Massimo turntable ($16,800) equipped with the Transrotor SME tonearm ($4300), the Dynavector DRT XV-1t cartridge ($9450). The Massimo was also equipped with a secondary arm, the Charisma Musiko ($2500) armed (as it were) with the Charisma Signature One cartridge ($3800).
Gayle Sanders, founder of MartinLogan, brought Bethel Connecticut–based Eikon Audio’s line of loudspeakers and electronics to Capital Audiofest’s Lincoln room, the gear arranged into two systems.
Capital Audiofest 2021 kicked off this morning with a heady air of excitement coursing through the sold-out host venue, the Twinbrook Hilton in Rockville, Maryland.
Jazz Record Center's Fred Cohen had called from the UES apartment, the former residence of late CBS Records and Sony Entertainment mastering engineer Harry N. Fein. Fred said, "The records are kind of beat, but the apartment is jammed with tape decks, turntables, cartridges, tubes, midcentury modern furnitureget up here."