Ken Micallef

Ofra Gershman brought an exceptional system to FLAX 2025.

Volti Audio’s Greg Roberts debuted his new Vittora Loudspeaker System ($50,000). It is the latest version of the horn-loaded system Art Dudley reviewed in September, 2013. The new Vittora system included the two main, birch-ply speakers (104dB at nominal 8 ohms, 50Hz-20k), two Extended Low Frequency ELF12 cabinets (with 12" sub drivers), one ELFpre preamp, and two ELFamp amplifiers (500W each). Alternately, customers can order two ELF18 cabinets (which include an 18" driver).

Audiophiles are often misunderstood as mere hobbyists; in fact they hold a profound reverence for sound. Japanese jazz kissas, where vintage vinyl, turntables, tube amplifiers, and horn speakers have drawn audiences since the 1950s, exemplify this passion. Western audiophiles share a similar fervor, though our pursuit of sonic perfection often manifests in a more discreet, almost monastic, lifestyle.

Shinobu Karaki, a 65-year-old electronics designer, is the founder and chief designer of Japan's Aurorasound. A music lover first, an audiophile second, and an aspiring jazz and classical guitarist, Karaki crafts phono stages, step-up transformers, preamplifiers, power amplifiers, and integrated amplifiers for his Yokohama-based audio company.

Lone Mountain Audio’s Brad Lund, Aleks Bars, and old Hall Audio pal Leland Leard brought a minimal but effective rig to Tampa.

Johnnie Bergmann (Bergmann Audio) and Vassil (Taiko Audio) guided me through the elaborate configuration of this expensive system—thankfully, as my brain was already fried by midday Friday.

Lucca Chesky and Cambridge Audio’s Steve Novakoski presented the Chesky Audio LC1 Bookshelf Monitor ($498 each), which made a big splash at Capital Audiofest.

Gary Dews of BorderPatrol Audio Electronics and Pete Grzybowski of Triode Wire Labs presented a system that played with fantastic dynamics and equally impressive resolution.