Fred Kaplan

Mary Halvorson’s Illusionary Sea

I first heard Mary Halvorson about four years ago, when she played with Jason Moran and Ron Miles at the Jazz Standard in New York City. I didn’t fully understand what she was doing (I still don’t), but she seemed to be painting some new colors in jazz, or at least in jazz guitar—the ice-crystal intonation, the off-kilter harmonies, the quasi-chords that seemed to dart nowhere till the neon lit up the path in the night.
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The Best Jazz Recordings of 2013

As usual around this time of year, I have a column in Slate (where I usually write about foreign and military policy), listing my picks for the 10 best jazz albums of the year and, in this case, the two best jazz reissues. Here’s the list, and regular readers might recall that I’ve reviewed almost all of them in this blog-space (or in Stereophile magazine) over the past twelve months.
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Turkey & Jazz in NYC

Maria Schneider, photographed by Jimmy & Dena Katz

Thanksgiving week is upon us, which means that two of the best bands in jazz are showcased at two of New York’s—and possibly the world’s—best clubs. From Tuesday through Sunday, Maria Schneider’s Jazz Orchestra plays at the Jazz Standard (though not on Thanksgiving Day), while Jason Moran’s Bandwagon Trio plays at the Village Vanguard. These gigs have become annual traditions. They sell out fast. Get your tickets now.

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John Zorn@60

It ranks among the most astounding turnarounds in American music. John Zorn—erstwhile bad-boy impresario of the downtown New York jazz scene—spent last month touted as a modern master, and Manhattan's pride, by the city's most venerable institutions of high culture: the Metropolitan Museum, the Guggenheim, Lincoln Center, Columbia University, and NYU.
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Audio Research Reference CD9 CD player/DAC

Now entering its fourth decade, the Compact Disc player seems to have reached a stage of maturity where the best models within a given price range will sound pretty much alike. The technology of the Compact Disc itself is set, its possibilities and limitations are well understood; and the designers of CD players who figure out how to stretch the former and finesse the latter wind up at about the same sonic place (again, for the same price), even if they've taken different routes to get there.
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