Ray Chelstowski, Anne E. Johnson

Zach Bryan: With Heaven on Top; Counting Crows: Butter Miracle, The Complete Sweets!; The Damned: Not Like Everybody Else.

ill Ware and The Club Bird All Stars: Martian Sunset; JD Allen: Love Letters (The Ballad Sessions); Pat Bianchi: Confluence; Melissa Errico: I Can Dream, Can't I? (Illusions and Conversations from the Great American Songbook); Joel Ross: Gospel Music.

David Bowie: Young Americans; Lucy Dacus: Forever Is a Feeling; Gabe Dixon: Parts I've Played; Neal Francis: Return To Zero.

Alison Krauss & Union Station: Arcadia
Down The Road Records (16/44.1 FLAC, Qobuz). 2025. Alison Krauss & Union Station, prod.
Performance *****
Sonics ****

When singer/fiddler Alison Krauss was a teenager with a solo album under her belt, she teamed up with some fellow musicians to form Union Station. Starting in 1989, Rounder Records released the band's albums regularly—seven of them including the soundtrack to Oh Brother, Where Art Thou?—ending with 2011's Paper Airplane. Although they continued to play together, most notably in a 2014 tour with Willie Nelson, Krauss and Union Station didn't make it back into the studio for 14 years.

Now Rounder Records' founders have a new label, Down The Road Records, and Krauss and the band have finally reteamed for another album and a major tour.

PJ Harvey: I Inside the Old Year Dying
PTKF (auditioned as 16/44.1 FLAC stream on Qobuz). 2023. Produced by PJ Harvey, Flood, and John Parish.
Performance ****
Sonics ****

In 2022, PJ Harvey published an epic poem called Orlam. Harvey's 10th studio album, I Inside the Old Year Dying, isn't exactly a musical setting of Orlam's English- and Dorset-dialect poetry; rather, it's an interpretation of the poem with added improvisation. The result is as bizarre and fascinating as one could hope.

John Lee Hooker: Burnin'; Paramore: This Is Why; New Order: Low-Life (Definitive Edition); Yo La Tengo: This Stupid World

In 1955, Canadian pianist Glenn Gould surprised executives at Columbia Masterworks by choosing J.S. Bach's Goldberg Variations for his debut recording. His performance was fast and fluid and sparkling and delicious, and it was an astonishingly big seller. In 1981, Gould came full circle and recorded the Goldbergs again. It was his last studio recording. That second attempt could not be more different from the first: relentlessly intellectual, percussive, insistent.

Late last year, to honor what would have been Gould's 90th birthday, Sony put out a package with a full-color coffee table book and 10 CDs of unreleased outtakes from the 1981 sessions—The Goldberg Variations: The Complete Unreleased 1981 Studio Sessions—with an 11th disc containing the 1981 album.