In a recent Stereophile.com news item, John Marks informed readers about free online music production classes now offered from the esteemed Berklee College of Music. Seems like JM himself is taking up this opportunity. In this video assigment, JM shares his explanation of the ORTF microphone placement technique for stereo recording.
There sat the hi-fi. Untouched. Unplayed. Unlistenable. Bass resonances continued to torment my sound. Geddy Lee, Paul McCartney, and Sting all produced loose and exaggerated bass energies in unnatural ways. I was constantly perplexed with the unevenness in my bass response. Despite hours of tinkering with speaker placement hindered by random obstructions, namely a queen-size bed, a poorly positioned radiator, and stacks of guitar amps, the bass resonances remained.
JA tapped my shoulder: “Do you like headphones?”
“You know I do!” I enthused.
“OK. Give me just a second.”
John Atkinson is never this mysterious. It must be something awesome.
You should know, I'm an absolute sucker for pop music. You should also know, I'm an absolute sucker for love. Or better put: "love".
Shlohmo! I had a Hebrew School teacher who went by Shlohmo. He smelled like fish skins and wore square, camel-toned, thick-rimmed glasses. Random gray strands of hair dangled from his chin as he tortured us with lessons on silent vowels and morality. His neck bounced when he talked, and he wore his armpit sweat stains like badges of honor. Not sexy, right?
That's why I'm always surprised to hear very sexy music from electronic beat maker Shlohmo.
