It was hard to say goodbye, but the cases were taking up too much space.
On Thursday, June 13th, British hi-fi mainstay Bowers & Wilkins and Italian luxury car manufacturer Maserati brought their Seven Notes World Tour to the Industria Superstudio in New York City’s Meatpacking District. The event presented the B&W-designed in-car audio system, the new B&W 805 Maserati Edition loudspeaker, and a performance from Howie B.
After reading the all-encompassing Audio Glossary at Stereophile.com from front-to-back, I rewrote the glossary as a bulleted list reflecting an organized critical listening process to utilize in the future.
Sections include ‘Midrange: 1601300Hz,’ ‘Soundstaging and Imaging,’ and the seductive ‘Pleasurable Excess’. In the process, I got to know words I thought I understood a little better, learned about sonic situations like a chocolaty sound, comb filtering, and the venetian blind effect, and drew out differences between words that seemed similar but are not quite, such as “accuracy”, a qualifier to describe how truthful a system is to recreating the incoming signal but not necessarily how much the system sounds like the real thing, versus “realism”, a term used to describe a system’s sound only if the recording being evaluated is truthful to the acoustic event. So if you have an accurate system and put on a recording that captures an excellent live performance and true timbres of the instruments in a pleasant-sounding acoustical space, you’ll be just as happy as a pig in… well, you know what.
Though Olen claims to be from Bedford, New Hampshire, using our fancy photograph-decoding software from partnering magazine Shutterbug and some of John Atkinson's equipment measurement tools, I unveiled Olen’s actual location. He’s in outer space galaxies away! No wonder his transmission came through so hazy. The sound of those Logic3 Scuderia R300 Headphones must really be something special.
Thanks for participating Ken and safe travels!
How much do you care about your hi-fi?
Listen, I rarely recommend some hazy, over-saturated indie rock played by a Crayola-hair colored, geometric-patterned-vinyl-jacket wearing, wide-eyed goon drinking a glass of red kool-aid to wash away his reverb and irony soaked introspection, but I think there's something special here. Something magical. Trevor Powers of Youth Lagoon might even be a wizard.
On Tuesday May 28th, 2013, Nordost premiered the Valhalla 2 cable lineup at Lyric Hi-Fi in New York City. Rune Skov, International Product Training & Sales Support Manager for Nordost, gave a demonstration to a garrulous group of audiophiles who joyfully suggested what differences they heard as Skov switched out each old Valhalla cable for the new one.
Dusty guitar amps, dirt-speckled stage light fixtures, and busted drivers piled atop each other on a series of shelves. I inspected each piece of gear carefully. Atop the highest shelf, I found them. Though covered in scratch marks and gum, the logo was clear: Polk Audio. The “i" was dotted with a little heart. I fell in love.
