Jon Iverson

2002 CES Day Five

The last day at CES always feels like one of those half-days at school: you may be getting out only a couple of hours early, but everyone starts thinking about going home way before the bell rings. Nonetheless, the die-hard audiophile exhibitors were working up to the last minute and confirmed that show attendance increased steadily right up to the end.

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2002 CES Day Four

Exhibitors reported that traffic was improving Thursday, as the halls became more crowded and the music grew a bit louder. Plenty of new products are on hand and we're starting to realize that even four or five days may not be enough to see and hear everything the high-end has to offer.

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2002 CES Day Three

There's no denying that traffic at the Alexis Park is down from last year. But in spite of this, high-end audio continues to evolve and impress. There were plenty of two-channel audio systems to go around, including vinyl front-ends, while multichannel and video made a modest showing. It's hard enough to get decent sound out of two speakers in a hotel demo room, let alone five or six.

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2002 CES Day Two

The Consumer Electronics Show (CES) officially opened today, Tuesday, and the SACD press conference put together by Sony and Philips started the day. Sony's Shizuo Takashino opened the presentation by explaining the three-phase rollout for the high-resolution format. Phases one and two, represented by the release of high-end and multi-disc SACD players, are now complete he said, with phase three launching at the show. As Takashino said, "This year is the true beginning of the mass-marketing of SACD."

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2002 CES Day One

The audio tribe is converging once again in Las Vegas for one of its its three annual gatherings (the others being CEDIA-Expo and the Home Entertainment Show, of course), and so far so good. Although the show officially opens Tuesday this year, several of the major manufacturers took advantage of the calm before the storm to hold their press conferences on Monday.

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Copyright or Copywrong?

It seems that all of the forces in the music industry have lately been conspiring against the music lover and audiophile. The record labels and their hired gun, the Recording Industry Association of America (RIAA), have so far blocked digital outputs on high-resolution audio players, insisted that watermarks be inserted into both high- and low-resolution audio data, and have even started to <A HREF="http://www.stereophile.com/news/11178/">restrict</A&gt; consumer's fair use of compact discs and digital downloads.

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Perreaux Redux

For any audio company to be successful, it needs to cover what my business school teachers used to call the "Four Ps": Product, Price, Promotion, and Place. In other words, success will follow if a company can slice up its resources to properly promote the right product at the right price and make it available in the right places.

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