Jon Iverson

Less Bits, More Filling?

<A HREF="http://www.dolby.com">Dolby Laboratories</A> was demonstrating its new <A HREF="http://www.aac-audio.com">Advanced Audio Coding</A> (AAC) consumer encoder, which the company says complements its professional AAC encoder, at this year's New York AES Convention. Dolby says it will license the encoder to enable "high-quality AAC encoding" for CD-rippers, hard disk&ndash;based jukebox products, Internet-based music distribution systems, portable players, and other digital audio products aimed at the consumer market.

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High-Brow Streaming

Sam Tellig loves 'em and consistently sings their high-quality/low-buck praises as a cheapskate favorite ($6.99 per CD!). And now, classical music label <A HREF="http://www.naxos.com">Naxos of America</A> is blazing new paths with its announcement last week that it and <A HREF="http://www.liquidaudio.com">Liquid Audio</A> have inked an agreement to digitally distribute downloads of selected Naxos recordings to leading retail and music web sites in the Liquid Music Network.

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Imbruglia Imbroglio

Record label attempts at restricting the potential uses of their CDs have hit another bump in the antipiracy road. Music label BMG had announced earlier this year that it would try to find ways to restrict its CDs, in an effort to stem piracy and the trading of MP3 files. But those plans appear to have backfired, so far.

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Digital Radio Update

In the race to get satellite radio to market, <A HREF="http://www.xmradio.com">XM Satellite Radio</A> was the first to <A HREF="http://www.stereophile.com/news/11148/">hit the air</A> this past September. But competitor <A HREF="http://www.siriusradio.com">Sirius</A&gt; says they were saving the best for last, and has now announced that its official launch date will be as early next year as February 14, with initial broadcasts reaching Denver, Phoenix, and Houston.

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Finally Time for a Tune-Up

They don't turn over quite as fast as computer equipment, but mass-market audio component product cycles typically last about a year, until the next Consumer Electronics Show comes around. High-end audio products, however, enjoy much longer life spans&mdash;sometimes stretching to several years.

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Building Better Bits

<A HREF="http://www.ti.com">Texas Instruments</A> says it is on a quest to provide "high-performance audio solutions" for the home entertainment market. To prove it, last week the company announced its first stereo analog-to-digital converters supporting the Direct Stream Digital (DSD) specification and the Super Audio CD format (SACD).

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And In This Corner . . .

Neither <A HREF="http://www.verance.com">Verance</A&gt; nor <A HREF="http://www.digimarc.com">Digimarc</A&gt; have made friends in the consumer world, as they continue to develop and implement watermarking technologies used to restrict the use of digital media, such as DVD-Audio and CD discs. Audiophiles, in particular, are resisting any form of restriction technology, such as watermarking, that alters the digital data on a disc at the expense of audio fidelity.

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The Digital Audio Auto

Most folks have enough room in their homes (some college students excepted) to easily place 100W amplifiers without regard to size or heat. But in the car, high-powered amps have always been relegated to the trunk or under a seat, often requiring creative solutions for anything with real heft.

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Hard-Disk Audio

Hard-disk&ndash;based audio systems having been gaining traction in recent months, with a half-dozen consumer electronics companies announcing or selling products. These new components model what savvy computer users have been hacking together for years&mdash;a software-controlled music library based on hundreds or thousands of CD or MP3 files stored on a hard disk.

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Liquid Assets Up for Grabs?

Times are tough in the online audio delivery market, with long-established start-ups struggling to keep pace with competing formats from Microsoft as well as the ever pervasive MP3. Particularly hard hit has been <A HREF="http://www.liquidaudio.com">Liquid Audio</A>, which along with competitor Real Audio, has for the last few years attempted to create the <I>de facto</I> standard for online music commerce.

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