Chip manufacturer <A HREF="http://www.esstech.com">ESS Technology</A> is no stranger to audiophiles interested in new formats. It was responsible for one of the first "universal" SACD/DVD-Audio <A HREF="http://www.stereophile.com/news/11059/">decoding chips</A> and more recently was the supplier of a <A HREF="http://www.stereophile.com/news/11296/">special-purpose chip</A> for Linn's SACD "Silver Disk Engine" designs.
Joe Abrams has an impressive audio resume. "I've been on the manufacturer's side of the desk since 1979," he says. That's when he started as national sales manager for Monster Cable. A few years later found Abrams as director of sales at Sumiko, and then in 1987 he started as VP of sales at Threshold. In 1991 Abrams joined cable start-up Tara Labs and quickly helped them establish a dealer network before moving on to MIT.
The music industry's worst nightmare is coming true: feeble attempts to shackle compact discs with "protection" are falling prey to simple <A HREF="http://news.com.com/2100-1023-918273.html">felt pen hacks</A>. And it's too late to build use-restriction and tracking technologies directly into CD players and existing computer CD drives.
Earlier this year, the <A HREF="http://ce.org/">Consumer Electronics Association</A> (CEA) tried something a little different and ran the 2002 Consumer Electronics Show (CES) in Las Vegas during the week, starting on a Tuesday, instead of in its normal slot over the weekend. The hope was that the show would not compete with the normally crowded Las Vegas weekends, and would offer showgoers more flexibility in finding hotel rooms and taxi cabs.
The escalating "anti-piracy" technology battle being fought by record labels has caught the attention and provoked the ire of consumers, who are finding their fair use rights quickly eroding away. But computer manufacturers are also feeling the effects of recent music-company attempts to restrict the activities of music fans, since many computers fail to play the altered discs.
Last week's <A HREF="http://www.stereophile.com/vote.shtml">online poll</A> indicates that many <I>Stereophile</I> readers have an ongoing affinity for the retro design style of older audio gear. Several respondents say they find the warm glow of tubes and backlit displays seductively attractive in a darkened room, while others pine for the days of analog dials and softly lit meters with gently bouncing needles.
Record companies are having a tough time making new friends these days as they toy with ways to restrict consumer use and distribution of their products. Amid sliding sales, mediocre new releases, high prices, and failed attempts at implementing restricted-use CD technology, the big labels clearly need some advice on getting back on track.
In addition to fostering the exchange of audio files, peer-to-peer websites may be sharing the problems of increased legal liabilities and bandwidth drains for businesses which allow employees to access file-sharing sites from corporate networks.
Like the companies in most high-tech industries, audio businesses are a volatile lot, with startups, mergers, acquisitions—and the occasional bankruptcy or flame-out—not uncommon. In that ongoing tradition, at the 2002 Consumer Electronics Show in Las Vegas, <A HREF="http://www.ultralinkcables.com">Ultralink Products</A> announced on January 7 its intention to purchase the assets of cable manufacturer <A HREF="http://www.xloelectric.com">XLO Electric</A>.
What's a home-entertainment show without an assortment of state-of-the-art audio demonstrations? <A HREF="http://www.egglestonworks.com">EgglestonWorks</A> has announced that its next generation Andra II speaker will be featured as part of what it calls an "unprecedented" demonstration of multichannel Super Audio CD (SACD) to be conducted during the upcoming <A HREF="http://www.homeentertainment-expo.com">Home Entertainment 2002 Show</A> May 30 through June 2 at the New York Hilton.