Whether listeners like it or not, record labels, including major players like BMG and Arista Records, are <A HREF="http://www.stereophile.com/news/11734/">now making moves</A> to rein in how their CDs are played and used. Unfettered CDs have been on the shelves for almost two decades, and some industry observers note that changing how they work at this late stage could be a recipe for trouble with consumers.
The major record labels and the RIAA have invested much time and effort in sabotaging the MP3 file-trading revolution and its supporters. But the appeal of the compressed music format for a large segment of music fans is undeniable, and many critics of the RIAA have suggested that the petite and portable audio files should be embraced, not resisted.
Audio companies create products that are based on a variety of technologies, provoking lawsuits every once in a while when patents are involved. One such lawsuit erupted earlier this year as Robert W. Carver, designer for and founder of <A HREF="http://www.sunfire.com">Sunfire Corporation</A>, filed a US patent lawsuit against <A HREF="http://www.audioprods.com/">Audio Products International</A> (API).
More compact discs that attempt to restrict how you use them are coming to a record store near you. BMG announced last week that its Arista Records division will be the company's first label in the US to release a commercial CD using copy-restriction technology.
Embattled audio brand <A HREF="http://www.tagmclarenaudio.com">TAG McLaren Audio</A> is showing more signs of life since <A HREF="http://www.stereophile.com/news/11701/">hitting the ropes</A> earlier this summer. After completing "a full strategic review of its participation in the audio market," the company had <A HREF="http://www.stereophile.com/news/11718/">announced</A> a re-focused effort to continue.
What can save the music industry? We've asked <A HREF="http://www.stereophile.com/showvote.cgi?241">the question</A> on this website a dozen times in several different ways and your responses are pretty much always the same: lower CD prices—closely followed by better music.
Although the CD was successfully released into the music industry gene pool 20 years ago, several companies are still tinkering with its DNA in order to assist record labels in restricting how consumers use their discs.
To combat lackluster CD sales and online file trading, some record labels have been adding bonus DVDs to new releases to get consumers to buy them instead of downloading the data. DVD-Audio proponents, in an attempt to counter Super Audio Compact Disc's single-disc hybrid SACD/CD strategy, have been trying to figure out how to combine CD functionality and DVD-A onto one disc.
It's been a rough year for the music industry—and possibly an even rougher one for audiophile labels. The Dorian Group, however, seems to be thriving. Parent company to Dorian Recordings, the Dorian Group announced last week its acquisition of Reference Recordings. During its 25 years in business, RR has consistently garnered praise from audiophiles for the sound quality of its recordings, and has scored eight Grammy nominations and two Grammy awards.
Vinyl junkies again converged on San Luis Obispo, California on Saturday, August 16 for the second annual <A HREF="http://www.vinylrecordday.org">Vinyl Record Day</A> celebration. Vinyl is clearly red hot among audiophiles and music collectors, and VRD organizer Gary Freiberg commented that momentum for the event continues to grow, with this year's turnout easily bigger than <A HREF="http://www.stereophile.com/news/11417/">last year's</A>.