The latest figures for the music industry remain grim: Online sales of recorded music have dropped 20% through the first half of 2002 compared with the same period last year, losing ground faster than the overall US music market, which lost 7% during the same period, according to the Recording Industry Association of America (RIAA). And the trend is accelerating. The latest numbers show online sales down 25% in the third quarter over last year.
One of the great things about the DVD-Audio format is the sheer flexibility built into the standard: two-channel or multichannel (mixed for four, five, or six speakers), multiple resolutions, multiple encode/decode choices (MLP, Dolby Digital, DTS, PCM), and an assortment of special features, including video.
One would think the last thing the music industry needs right now is to further alienate its customers who are still buying discs. But that is just what the record labels are doing by secretly experimenting with technology that restricts how discs are used, says a new report.
Recent news from Universal Music Group should bode well for the SACD format. It's not exactly a flood, but the world's largest music company finally made good on the <A HREF="http://www.stereophile.com/news/11238/">promise</A> it made at the 2002 Consumer Electronics Show (CES) and announced last week its first Super Audio CD (SACD) titles to be released in the United States.
To date, record label attempts at adding copy-control systems to CDs to restrict their use have been less than totally succesful. We've had Sony discs that <A HREF="http://www.stereophile.com/news/11341/">get stuck in computers</A>, discs that <A HREF="http://www.stereophile.com/news/11261/">don't reliably play</A> in all CD players, <A HREF="http://www.stereophile.com/news/11247/">trademark violations</A>, and CDs that generate <A HREF="http://www.stereophile.com/news/11134/">lawsuits</A> and consumer frustration from not being able to create a "fair-use" personal copy of a disc to throw in the car.
For years, we've seen attempts to disguise <A HREF="http://www.audiocircuit.com/9041-esl-circuit/Commercial/Audio4-AU4/9041… as paintings</A>. A pair of announcements last week highlights the ongoing drive within the consumer electronics industry to find new ways to hide speakers within other objects.
Media critics may be right: If record companies had spent as much effort building a digital distribution network as they have fighting digital piracy, they might actually be making money online instead of complaining about it. This is the conclusion of a new report from KPMG and the Economist Intelligence Unit.
We've heard the sad tales from the record labels and distributors about their ever-weakening music sales, but there are other players in the market who are also feeling the pinch: retailers.
If you peer back into audio history, you'll discover that long-term formats are generally established at the mass-market level and then perfected or re-invented by those with audiophile inclinations. One could argue that SACD and DVD-A are attempts at turning that rule on its head. But the slow start exhibited by both formats (with the copy-restriction issue a new and rather large stumbling block) indicates that, once again, the mass market needs to get involved before we can really move forward.
For quite a while now, Pioneer and Marantz have stuck their necks out with the few universal SACD/DVD-A/DVD/CD players available. Not any longer, as <A HREF="http://www.onkyousa.com">Onkyo</A>, Teac and Yamaha join the club with new machines, aimed at consumers hedging their bets as to who will win the high-rez format wars.