Xmas R.I.P.
Sorry to be a humbug, but it seems that Christmas is becoming a magnet for musician death. This year <B>Eartha Kitt, Robert Ward</B> and <B>Freddie Hubbard</B> all expired around the holiday.
Sorry to be a humbug, but it seems that Christmas is becoming a magnet for musician death. This year <B>Eartha Kitt, Robert Ward</B> and <B>Freddie Hubbard</B> all expired around the holiday.
One night last week, a bout of channel surfing brought me to the Grammy nomination concert. Not the Grammys mind you, that’s in February, but a televised special to announce the nominations. And only the nominations of the celebrity—driven stuff like Best New Artist which is when LL Cool J, who was hosting, walked across the front of the auditorium and ask the Jonas Brothers how it felt to be nominated. As the bile rose in my throat I changed the channel. I found it to be very strange that this was proceeded by a showing of the venerable 1964 stop motion animation special, <I>Rudolph, The Red—Nosed Reindeer</I> which is narrated by Burl Ives and contains a couple of indelible toon icons in the prospector Yukon Cornelius and a Yeti called a “bumble.”
Perhaps the most interesting thing on satellite radio has been Bob Dylan’s <I>Theme Time</I> radio show on XM, where he uses big themes like “baseball” or “eyes,” and builds shows around music that somehow connects to the theme. The idea for this show, which is worth listening to if only for Dylan’s raspy–voiced patter, may have come from a previous Forties–era radio program hosted by one of Dylan’s heroes, Woody Guthrie.
A hit abroad but relatively unknown at home. That describes Cheap Trick who I wrote about here recently and also, believe it or not, Otis Redding. He was a big hit in the U.K. and even it seems in Paris before he hit at home with his final single, “(Sittin’ on the) “Dock of the Bay.”
I live by the axiom, “So many records to listen to, so little time.” That’s not an excuse; just reality. And it has nothing to do with being a music writer. If you’re a voracious music fan, there’s no way, no matter how many records per day you slug through, that you can hear it all. If today, I started listening to just my Beethoven Symphony cycles, it would literally be months before I could come up for air.
Cheap Trick was always one strange <I>looking</I> act. Never more so than in the late Seventies. And now folks, we have the film to prove it.
<B>BEN FOLDS: <I>Way to Normal</I></B><BR>
Epic 886970984928 (CD). 2008. Dennis Herring, prod., Joe Costa, eng. AAD? TT: 40:32<BR>
Performance ****½<BR>
Sonics ***
<I>All Together Now,</I> the DVD that details the making of <I>Love</I> the Beatles collaboration with Cirque du Soleil is coming out on October 21 and from the looks of the trailer it could be fun. I hear there are flashes of Yoko being a dragon lady (now there’s a shock), McCartney being a doofus of sorts (another revelation) and some great bits with George Martin which, all kidding aside, might make this worth the price. The subtitle in this trailer that says, “Yoko hates it,” is a classic.
It’s been a Guitar Fest here in NYC lately. I’ve seen Bill Frisell (always superb), Kenny Burrell (a very rare pleasure because he hates to fly) and Mike Marino (with new Blue Note pianist Aaron Parks). Tonight is a tribute to Fender's Jazzmaster guitar headlined by Nels Cline, J. Mascis, Thurston Moore and Tom Verlaine. Must be frets in the water or something.
<B>RANDY NEWMAN <I>Harps and Angels</I></B><BR>
Nonesuch 075597998931 (CD). 2008. Mitchell Froom, Lenny Waronker, prods.; David Boucher, eng. ADD. TT: 34:54<BR>
Performance <B>*****</B><BR>
Sonics <B>****</B>