House Calls: Value-Added Retailing
There's this really awful joke:
There's this really awful joke:
I have always had a soft spot in my heart for Jeff Rowland's products. Going back to the Model 7 monoblock power amplifier and the Model 5 stereo amplifier of nearly 20 years ago, Rowland's designs always sounded essentially musical to me, and quite forgiving and non-fatiguing.
To the great surprise of not that many people at all, at Home Entertainment 2003, as at the two immediately previous shows, the room featuring loudspeakers by Joseph Audio was voted by showgoer ballot "Best Sound of Show" (see September 2003, p.62). I'm not going to pick a fight over that. Not only was the sound very, very good; the entire vibe was confidently relaxed, while at the same time being purposeful in a manner businesslike yet friendly.
Lera Auerbach is an important new classical composer.
Now that we know how often you attend classical music events, how often in the past year have you attended live jazz concerts?
<I>Stereophile</I>'s John Marks wonders how frequently audiophiles attend live classical concerts, recitals, or opera?
Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)
<I>The mind of man, when he gives the spur and bridle to his thoughts, doth never stop, but naturally sallies out into both extremes of high and low.</I>—Jonathan Swift
<I>Poetry, painting, and sculpture must lie, but they should lie with grandeur, charm, and splendor.</I>—Napoléon I