Thiel was showing honest-to-God production samples of its CS3.7 ($9900/pair), which has a few cosmetic flourishes I hadn't noticed the times I spotted prototypes at earlier Shows. I could be wrong, but that aluminum cowling looks better-integrated with the body than I recall.
Lyngdorf was showing a $16,800 system that incorporated its RoomPerfect digital room correction system, which creates an EQ curve based on measurements taken in seven positions. The result is said to be a sweet spot that is spot-on in one position and "extremely fine" for up to eight target positions.
I stuck my head in Joseph Audio's room and asked, "What's new?"
What Mirage did display for real was the OM-28, their $7500/pair floorstander that boasts a real-size omnipolar titanium-dome tweeter, a 5.25" carbon-fiber midrange driver, and two 8" carbon-fiber woofers. The cabinet is ported with down-firing vents.
Mirage had a 36" mock-up of their omnipolar tweeter array on the wall, photographed here by Kalman Rubinson. A lot of people (well, me) thought it was real.
I saw it from a distance, spotlit and turning on a turntable. It was curved and sensuous, with its deep red flanks casting off highlights. I glanced up at the brandname and saw . . . Klipsch.
My bus was early, so I almost missed it. I sprained my ankle on Monday, so I can barely hobble down the aisles. Denver is humid. CEDIA is an A/V show.
Bitch, bitch, bitch.
It's funny, but everybody <I>knows</I> the Edsel was a flop and a wretched car. Everybody that is, except people who own one. I've known four people who were proud Edsel owners and their cars were all great rides.
Blogging on <I>Stereophilia</I> will be sporadic this week because of CEDIA—although the chaos kitties will make their Friday appearance as usual.
Remember all that furor over research results indicating women's brains are hard-wired to prefer pink? Well, you needn't.