Jonathan Scull

Pass Labs X1000 monoblock power amplifier

Pass Laboratories' X amplifier series represents the efforts of designer Nelson Pass to prove that simple linear amplifier topologies can be scaled to provide high-quality audio performance at <I>very</I> high power levels. The handsome X1000 monoblock under scrutiny here, the largest and most powerful amp in the Pass stable, makes 1000W into 8 ohms and a mighty 2000W into 4 ohms. The amplifier has no global negative feedback, and only two gain stages: the front-end provides all the voltage gain and feeds a high-current follower stage.

Continue Reading »

Acoustic Sciences Corporation Studio Traps

Over time I've successfully used a variety of tuning devices to refine the acoustics in Kathleen's and my listening room. But I've always suspected that <A HREF="http://www.stereophile.com/accessoryreviews/215">Acoustic Science's Tube Traps</A> might be a good way to finish it off. I've occasionally asked visitors to stand in one spot or another behind the speakers as I listened for tergiversation (<I>ie</I>, "to change one's tune"; Hoo-hah!). I found several locations where a nice, dense audiophile body made an improvement to the sound.

Continue Reading »

Fine Tunes #48

In his first e-mail to "Fine Tunes," Rafael Teodoro (RBT@wolfenet.com) addressed a subject that Mark Gdovin, that faithful frequenter of the Stereophile soapbox, had already brought up. Mark had gone so far as to give readers sage advice from his brother, a materials engineer, regarding the dangers of applying Armor All to speaker cones and surrounds.
Continue Reading »

Fine Tunes #47

Sometimes tweaks take on a life of their own. Take the one of using Armor All to keep speaker surrounds from drying out, which you can read all about in the November 2001 "Fine Tunes No.41" I recently got another e-mail on the subject from Dan Mazza at Arizona Hi-Fi, who agrees with Mark Gdovin's objections to using Armor All. (Read Mark's comments on the entire issue in the readers' letters linked to "Fine Tunes No.41.").)
Continue Reading »
Advertisement
Advertisement
Advertisement