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Music and Recording Features

Studio Confidential Interview Series, Part 1: Chuck Ainlay

Mike Mettler

If you really want to know how your favorite albums came to be, you can't go wrong talking with the men and women who are in the studio day in and day out with the artists—i.e., the producers and engineers. So we're doing exactly that. In Part 1 of our Studio Confidential interview series—there will be three parts this week, with perhaps more to follow—Mike Mettler talks with Chuck Ainlay, who has worked with Peter Frampton, Mark Knopfler (and Dire Straits), George Strait, and many, many others—about his production philosophy and who inspired him to get behind the board in the first place.

Music and Recording Features Sound Chaser

Sound Chaser #4: John McLaughlin, Life in the Emerald Beyond

Mike Mettler
If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a rant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits.
Music and Recording Features Sound Chaser

Sound Chaser #1: Brian's Songs

Mike Mettler
Outside of Vincent Van Gogh, Brian Wilson had the most infamous—and ultimately the most valuable—left ear in the world. Wilson—the chief architect of countless Beach Boys pop classics, who passed away at age 82 on June 11, 2025—lost the hearing in his right ear at an early age. One could reasonably argue that he only ever heard all the sonic masterpieces he constructed, for that quintessential California band he cofounded, in mono.
Brilliant Corners Music and Recording Features

Brilliant Corners #30: disco é cultura

Alex Halberstadt
"Art is the only political power," the artist Joseph Beuys once said. If only it were true. Often, when power is wielded against an entire people with enough brutality and efficiency, it reduces the culture to a sickening silence, leaving room only for state-sponsored propaganda. Think of the Soviet Union under Stalin, or Germany during the Third Reich. But in other, rarer cases, repression is met with an efflorescence of great art, like a charred field welling up into a riot of wildflowers.
Music and Recording Features

Rock of Life: The Brothers In Arms CD Turns 40

Mike Mettler First Published: Jun 11, 2025
The Compact Disc needed a big win—and fast. During its first few years in the marketplace, the format wasn't living up to lofty expectations. Part of the problem maybe was that most of the CDs released up to that time came from analog sources.

But then on May 17, 1985, the CD's savior arrived: Brothers in Arms, the fifth studio album release by British rock stalwarts Dire Straits. Trumpeted as one of the first "full digital recordings" in the pop/rock oeuvre, Brothers in Arms was an undeniable smash international hit from a band that had struck it big already. Exactly 40 years later, it remains a benchmark recording and a top seller.

Music and Recording Features My Back Pages

My New Album!

Sasha Matson First Published: Apr 22, 2025
February 2025 marked the release of a new recording of my compositions: Fillmore Street/Little Woodstar. This is the sixth album of my music. My first solo outing as a composer—Steel Chords i-5, on AudioQuest Music—was in 1993.

When I set out to assemble something musical, I don't think in terms of songs, tracks, or playlists—I'm trying to put together an album. Even more old-school: I'm thinking in terms of an album that has two sides, two parts to the program, like an LP. Figuring out what that program should be takes a long time.

In the case of Fillmore Street/Little Woodstar, I decided on a two-piece set consisting of one old composition and one new one. These two works live in two different musical ballparks. Fillmore Street, on side 1 of the LP, is scored for a jazz orchestra. It tells musical stories about three locations in California. The older work on the album, Little Woodstar, which I composed while in grad school, leans classical.

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