Music and Recording Features

Wandering through Tower Records the other night, I was struck by the amazing diversity of music available to us. There's music from every part of the globe, for every taste and interest, from "show-me-the-good-parts" compilations of classical highlights to obscure releases by unknown artists. There's music for the ecstatic, music for the angry, music for the straight, the gay, the bent, and the twisted. The subcategories replicate like rabbits, as if in a demographer's nightmare. Genus spawn species, which quickly mutates into subspecies, race, tribe: cult begets subcult.

There's a fantastic new two-SACD/CD set of a demonstration-quality live recording of a rather obscure work you really should get to know, not only for its own merits, but also for what I believe is its underappreciated but major influence on music and on popular culture. The piece is by 20th-century composer Arnold Schoenberg, but trust me—it's more than "listenable." It (or, at least, the music on the first disc) is beyond engaging; it is compelling—a revelation, even. The work is Gurrelieder (Songs of Gurre), Gurre being a castle in medieval Denmark that was the setting of a real-life doomed love triangle, the story of which has since loomed large in the moodily brooding artistic consciousness of Danes. The 19th-century Danish poet Jens Peter Jacobsen wrote a collection of poems based on medieval legends, including this one, and a German translation by Robert Franz Arnold provided Schoenberg's dramatic texts.

The Incredible String Band

Hannibal HNCD 4437 (CD only). TT: 45:15

The 5000 Spirits or The Layers of the Onion

Hannibal HNCD 4438 (CD only). TT: 50:06

The Hangman's Beautiful Daughter

Hannibal HNCD 4421 (CD only). TT: 50:12

Wee Tam & the Big Huge

Hannibal HNCD 4802 (2 CDs only). TT: 87:49

Changing Horses

Hannibal HNCD 4439 (CD only). TT: 50:24

I Looked Up

Hannibal HNCD 4440 (CD only). TT: 41:30

All above: Joe Boyd, prod.; John Wood, eng. AAD.

I know of only one composer who measures up to Beethoven, and that is Bruckner.—Richard Wagner, 1882

Back when there was still something called the "classical music industry," one of Stereophile's favorite small labels was John Marks Records, masterminded by the magazine's "The Fifth Element" columnist, John Marks. In fact, it was his recordings that first brought John to the magazine's attention. JMR had a phenomenal run of releases, among them Arturo Delmoni and Meg Bachman Vas's Songs My Mother Taught Me, Nathaniel Rosen's cycle of J.S. Bach's Suites for Solo Cello, Delmoni and Rosen's Music for a Glass Bead Game, and the three Rejoice recordings of Christmas music for string quartet (also featuring Delmoni and Rosen). That's a pretty solid run for a label that released fewer than 20 recordings.

Released in July, Live at Otto's Shrunken Head (STPH020-2) is the latest Stereophile CD from reviewer Bob Reina's jazz quartet, Attention Screen. Unlike the group's first CD, Live">http://www.stereophile.com/musicrecordings/907att">Live at Merkin Hall (STPH018-2, released in 2007), which was recorded with multiple microphones, I captured the eight improvisations on Live at Otto's using a single pair of mikes.