Music and Recording Features

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Bill Frisell: New Ideas in Old Songs

Of the celebrated triumvirate of John Scofield, Pat Metheny, and Bill Frisell—the most original and influential jazz guitarists of the past 50 years—none is more distinctive, or self-effacing, than Frisell, a true changeling of the guitar. Frisell is a jazz-based musician, but his music crisscrosses genres, and his guitar playing isn't bound to or limited by a specific technique. He's a master illusionist, able to alter a song's meaning far beyond its original intent with the aid of a Telecaster guitar, a modest effects chain, and, most importantly, his rich imagination.

The Clash: Still Calling

It's not just the gray hairs or the expanding waistline that suggest one is getting old: it's also when the albums you love so much, and so vividly remember hearing for the first time, have become a part of the rock heritage industry. So it is with London Calling by the Clash, which celebrates its 40th birthday in December 2019.

Adrian Sherwood's Dub Trip

Following in the lineage of such iconic dub music masters as Osbourne "King Tubby" Ruddock and Lee "Scratch" Perry, producer Adrian Sherwood is the UK's contemporary pioneer of dub: the reverb-filled, beats-rattling, bass-thick music that erupted from "sound system" parties in Kingston, Jamaica in the 1960s.

Manfred Eicher: "You Can't Record Everybody"

There has never been a record producer like Manfred Eicher, founder and sole proprietor of ECM records, the German-based jazz (and sometimes classical) label that celebrates its 50th anniversary this month.

Eicher doesn't quite win the all-time prize for longevity. Edward Lewis started Decca (UK) in 1929 and owned it until 1980. David Sarnoff controlled RCA from 1919–1970. William Paley did the same at Columbia from 1938-1988. But unlike those other, financially heftier titans, who deferred to department heads and studio producers, Eicher has supervised every single one of ECM's albums—more than 1600 of them.

Beethoven for Four, in All Its Glory

As the 250th anniversary of the birth of Ludwig van Beethoven approaches, artists worldwide have begun issuing complete recordings of his oeuvre. At the top of a fast-growing list, three stand out: Andris Nelsons' recording of Beethoven's nine symphonies with the Wiener Philarmoniker (Decca), Igor Levit's issue of Beethoven's Complete Piano Sonatas (Sony), and the subject of this review, the Miró Quartet's 8-CD set of Beethoven's Complete String Quartets (Pentatone PTC5186827).

Chick Corea: Pioneering Jazz Pianist

Armando Anthony "Chick" Corea belongs to that elite cadre of pianists that includes Herbie Hancock, Keith Jarrett, and Mccoy Tyner, pioneers who reshaped the jazz or- der starting in the early 1960s and continued to make strides into the present day.

The now-78-year-old Corea's attainments are many: composer of the standards "la fiesta," "Spain," "500 Miles High," "Matrix," and "Windows"; winner of 22 Grammy Awards (and 64 nods); founder of at least six colossal improvising units (Return to Forever I and II, Circle, the Three Quartets quartet, the Chick Corea Elektric Band, the Vigil Quintet); popularizer of early monophonic synthesizers, and recipient, in 2006, of an NEA Jazz Masters award.

Dancing on the Edge: Keith Jarrett on Music & Art

Years before I moved to Santa Fe, where I eventually became Stereophile's copyeditor, assistant editor, and first music editor, I lived in Boston, Massachusetts. There, I'd spent a year as the in-house typesetter, copyeditor, and book-review editor of East West Journal, an eclectic monthly magazine devoted to nutrition, spirituality, cooking, gardening, conservation, and other subjects. Two years after I'd left EWJ, managing editor Meg Seaker called to ask if I wanted to interview Keith Jarrett for the magazine.

Never Stop: a Musical Interview with Jon Anderson

Vocalist Jon Anderson has been at the center of the fabled rock band Yes since its founding in 1968 and has collaborated with other notable artists including Vangelis, Mike Oldfield, Jean-Luc Ponty, and the Contemporary Youth Orchestra. A tireless and prolific musician, composer, and multi-instrumentalist, he has also released more than a dozen solo albums.

Almost exactly 50 years after the July 1969 release of the first Yes album, Anderson visited my house for an afternoon of talk and listening to music. We listened to some old Yes tracks, some favorites from other artists, and several from his most recent album, 1000 Hands: Chapter One, which was 30 years in the making.

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