Phono Preamp Reviews

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Conrad-Johnson Premier 15 phono preamplifier

At a hi-fi show in Germany a few years ago, an audio club had set up a room filled with a dozen well-known turntable/tonearm combos. I recall seeing the Clearaudio/Souther, Immedia RPM-2 and arm, VPI TNT Mk.IV/JMW Memorial, Basis 2500/Graham 2.0, Oracle/Graham, Linn LP12/Ittok, SME Model 20/SME V, and some others I can't remember, including a few not exported from Germany.

Linn Linto phono preamplifier

Audiophiles with budget restrictions (most of us, I imagine) could be forgiven for feeling we're afterthoughts to most manufacturers. Even though we probably keep many companies in business by buying their "entry-" or mid-level products, we're always hearing about products designed "without compromise." Waiter, could you bring the reality check, please?

AcousTech Electronics PH-1 phono preamplifier

Audiophiles with budget restrictions (most of us, I imagine) could be forgiven for feeling we're afterthoughts to most manufacturers. Even though we probably keep most companies in business by buying their "entry-" or mid-level products, we're always hearing about products designed "without compromise." Waiter, could you bring the reality check, please?

Vendetta Research SCP-2 phono preamplifier

Few people in the audio business would deny that John Curl is an audio design genius—arguably the greatest one of our generation. He designed and built the electronics for Mobile Fidelity's SuperMaster and David">http://www.stereophile.com//interviews/478/">David Wilson's (of Wilson Audio) UltraMaster tape recorders, two of the three best analog recorders in the world. (The other is Keith Johnson's home-brew unit.) He designed the JC-1 head amp and JC-2 preamplifier sold under the Mark Levinson name some years ago. He designed head amps for SOTA, Michaelson & Austin (TVA), and has done consulting work for more high-end companies than you can shake a stick at.

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