Abbingdon Music Research PH-77 Phono Equaliser
Why bother with three phono preamps most of us can't afford? For the same reason the enthusiast automobile magazines cover the newest Ferraris and Lamborghinis: just reading about them is fun.
AcousTech Electronics PH-1 phono preamplifier
Audiophiles with budget restrictions (most of us, I imagine) could be forgiven for feeling we're afterthoughts to most manufacturers. Even though we probably keep most companies in business by buying their "entry-" or mid-level products, we're always hearing about products designed "without compromise." Waiter, could you bring the reality check, please?
Aesthetix Rhea phono preamplifier
Trickle-down technology is a grand thing. It's comparatively easy to build an exceptional audio component when there are no constraints on technology, cost, user-friendliness, or lack thereof, but top designers are now packing more and more of the excellence of damn-the-torpedoes components into more affordable and accessible packages. Which brings us to the Aesthetix Rhea, a tubed phono preamplifier of exceptionally distinguished lineage.
American Hybrid Technology phono preamplifier
Just as the Trappist Monks of Digital Audio are once again grabbing at the bellpulls to ring the death knell of analog, another fine piece of gear pops up dedicated exclusively to LP playback: the American Hybrid Technology Phono Stage. To one of the Analog Committed, this is good news. That the unit sounds as wonderful as it does is even better news. Anything else? Pull up a pew, Brother.
Analog Corner # 247: Dr. Feickert Firebird turntable, Viva Fono MC phono preamplifier, AcroLink and Fono Acustica interconnects
Dr. Feickert Analogue's top-of-the line turntable, the Firebird ($12,500), is a generously sized record player designed to easily accommodate two 12" tonearms. Its three brushless, three-phase DC motors, arranged around the platter in an equilateral triangle, are connected to a proprietary controller in a phase-locked loop (PLL); according to the Firebird's designer, Dr. Christian Feickert, a reference signal from just one of the motors drives all threethus one motor is the master while the other two are slaves. (Man, today that is politically incorrect, however descriptively accurate.)
Analog Corner #199: Wadax Does Analog Digitally
Michael Fremer by Jeff Wong
Other than for archiving and iPod use, is there any good reason to digitize vinyl playback? Pure Vinyl's Rob Robinson thinks so. His software offers RIAA and dozens of digital-domain equalization curves that he claims are inherently superior to any analog-domain filtering.Analog Corner #203: A Whole Lotta Analog Stuff!
The latest product from Graham Slee is the Reflex M ($1240). Like the company's previous designs, the lightweight Reflex M is housed in a small aluminum case and is powered by an outboard 24V DC power supply. RIAA equalization is applied actively within the negative feedback loop.
Analog Corner #205: H&S Ice Blue phono cartridge, Manley Chinook phono preamplifier
AnalogPlanet.com has gone live. Allan Toussaint should title an album. Elvis Costello should write a song. I'm running the website, and will continue to write this monthly column for Stereophile, as well as equipment reviews (though fewer of the latter).
Analog Corner #206: Travels, Musical Fidelity M1ViNL phono preamplifier, Clearaudio Goldfinger Statement phono cartridge
I recently spent a week traveling—it was good to get out of the basement! First up, toward the end of May, was an event at the Audio Alternative, in Fort Collins, Colorado. Owner Rick Duplisea is a vinyl fanatic and Linnie whose store—actually, his sprawling home—is packed with gear and LPs. His record collection beats mine.
Analog Corner #209: Moon Evolution 810LP and Fono Acustica Sinfo
Their proven success with phono preamps has encouraged Simaudio to now go way upscale: The Moon Evolution 810LP ($12,000) is the company's no-holds-barred entrant in the premium end of the market, and the first phono preamp in its Evolution line of high-end models.