Stephen Mejias

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Getting Started & Greatest Bits

I’m sort of a jerk (stubborn, old-fashioned, anti-social, fiercely independent) and have managed, for my entire adult life, to survive without the Internet in my home. I realize that that will someday have to change&#151probably sooner than later&#151as I relinquish my autonomous life for one shared with another person. (And her two cats.)

For many people, the Internet means access to email, social networking sites, weblogs, forums, countless apps and other crap. For me, the Internet will inevitably mean Computer Audio.

And when the time comes for me to dive into Computer Audio, I’ll rely on Michael Lavorgna’s AudioStream to lead the way.

Stillwater Artisanal & Lower Dens

We all know that good beer and good music make a beautiful couple, so it should come as no big surprise that craft brewer Stillwater Artisanal Ales is partnering with independent artists to create a new line of beers. The first of Stillwater’s Sensory Series is inspired by “In the End is the Beginning,” the closing track from Lower Dens’ recently released Nootropics.

Says Brian Strumke, Stillwater owner and brew master:

Meet the Innovators: Dan D'Agostino at Innovative Audio

The D'Agostino Master Systems Analog Preamplifier, first seen at the 2011 Rocky Mountain Audio Fest. Photo: John Atkinson

Wednesday, September 19, 6–9pm: Innovative Audio Video (150 East 58th Street, New York) will hold a “Meet the Innovators” event, featuring Dan D’Agostino, who will introduce and demonstrate the new D'Agostino Master Audio Systems Momentum Analog preamplifier. Refreshments will be served. Space is limited. RSVP: (212) 634-4444 or info@iavny.com.

Touch.30 Live in NYC

Michael Lavorgna reports on Philip Jeck and Ted Riederer’s performance, last night, at Our Lady of Lebanon Cathedral, in Brooklyn. Jeck sat at a table, with access to a small keyboard and a few simple turntables. Meanwhile, Riederer played guitar and sang, sending his signals through various effects pedals, looping them and transferring them directly to lathe-cut vinyl. Upon the completion of a side, Riederer would hand the newly created record to an unsuspecting Jeck. In turn, Jeck, with a smile, would place the record upon a turntable and play along. It continued like that for some time.

Like ML, I was captivated by the total experience: the dim lighting, the attentive crowd, the lulling sounds, the rich scents, the soft feel of old floorboards and torn carpeting&#151it all worked to transfix and transport.

Dan Deacon: America

I'll have more to say about Dan Deacon's America, both here and in the pages of Stereophile, but, for now, I'll just quickly say that I like it&#151a LOT.

Full of major chords and glorious crescendos, littered with screeching electronic noise and dressed up with sweeping violins, America is bold, ambitious, arrogant, pretentious, and really beautiful.

Matmos: The Ganzfeld EP (and Incase headphones)

I will not pretend to understand the concept behind The Ganzfeld EP, electronic duo Matmos’ upcoming release, but I will simply say that I dig it, deeply. From the press release, because I can’t say it any better:

The EP and the album [The Marriage of True Minds, available early 2013] have the same conceptual basis: telepathy.

Telepathy!

For the past four years the band have been conducting parapsychological experiments based upon the classic Ganzfeld (“total field”) experiment, but with a twist: instead of sending and receiving simple graphic patterns, test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. During videotaped psychic experiments conducted at home in Baltimore and at Oxford University, test subjects were asked to describe out loud anything they saw or heard within their minds as Drew attempted transmission. The resulting transcripts became a kind of score that was then used by Matmos to generate music. If a subject hummed something, that became a melody; passing visual images suggested arrangement ideas, instruments, or raw materials for a collage; if a subject described an action, then the band members had to act that out and make music out of the noises generated in the process of the re-enactment.

The result, to which I am now listening and which is in turn driving me crazy, is perhaps the greatest work I’ve heard from Matmos&#151and that’s saying a lot, as Matmos generally blows my mind.

Jagjaguwar Sounds on Drip.FM

Drip.FM offers an interesting new way for music lovers to connect with their favorite record labels. The platform is free to participating labels, with no sign-up costs or usage fees; Drip.FM makes money when the participating labels make money, through a revenue share on sales. Labels set their own user-fees for access to a Drip.FM account. While content varies depending on the label, fans can expect to receive digital files (MP3 and WAV) of new titles on the day they are released (or sooner); randomly selected back-catalog titles; and plenty of enticing perks, such as exclusive, subscription-only tracks and remixes, and other giveaways (imagine: t-shirts, posters, LPs, CDs, concert tickets).

Back in June, AudioStream’s Michael Lavorgna reported on Domino’s new Drip.FM service.

Founded by Ghostly International and currently operating in closed beta, Drip.FM has also partnered with Dead Oceans, Dirtybird, Fool’s Gold, Luaka Bop, Mad Decent, Morr Music, Now-Again Records, Planet E Communications, Stones Throw, Wav.Pool, and now Jagjaguwar.

I recently signed up for an account with Jagjaguwar.

Lamps and Stuff

My latest addiction is “Stuff I’ve Been Reading,” Nick Hornby’s column for The Believer. I know: It's very hipster/nerdy of me to be reading this stuff; you might even think I live in nerdy Brooklyn. But, I swear, I live in Jersey City, and I have completely sincere and profound reasons for reading The Believer and "Stuff."

Not only does it remind me of how much I admire and enjoy Hornby’s writing—he’s clear, deep, funny, and extremely likable even when he’s being snarky and clever—but it also fuels my passion for reading. And when I read, I feel like a better person: stronger, smarter, healthier, whatever. Profound, see?

When I read, I at least feel like I have something to say. When I read, I’m happy.

You should check it out. In the preface to Housekeeping vs. the Dirt, the second of four published collections of “Stuff,” Hornby reminds us that reading addresses many of our needs, none more important than simple pleasure. Read the books you like, and don’t let anyone tell you that you shouldn't enjoy Moby Dick or The Hunger Games or whatever.

There’s something to be learned here, even for you know-it-all audiophiles.

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