As We See It

For years, Audio Advice Live has been an annual event, drawing enthusiastic audiophiles to the dealership's showrooms on Raleigh's Glenwood Avenue, next to Virgin Cigars. This year, Audio Advice Live was different. It was a fully fledged audio show, held like most such events at a conference hotel: the Sheraton Raleigh Hotel in that North Carolina city, with rooms sponsored and presented by a wide range of hi-fi and home-theater manufacturers and distributors.

Have you noticed how developed the art of the high-end put-down has become?

In the early 1950s, a quiet, undistinguished Senator named Joseph Raymond McCarthy began a crusade against what he imagined were subversive, dangerous elements in American government. His tactics included irresponsible accusation, militant attacks on his opponents, and self-aggrandizing witch-hunting. So virulent were his methods the term "McCarthyism" entered the language. McCarthyism came to mean any unjustified persecution and the false conformity this strategy engendered (footnote 1).

People of my generation have learned that change is certain. You can't know what the change will be, but you can bank on the fact that there will be serious change over the next ten years. Look at the historically most important change in ten years: microcomputers.

For a field based on science, high-end audio has a relationship with its parent discipline that is regrettably complex. Even as they enjoy science's technological fruits, many audiophiles reject the very methods—scientific testing—that made possible audio in the home. That seems strange to me.

As I write this in the first quarter of 2007, CD sales are off over 22% compared to this time last year. The music industry as we know it, based on sales of some kind of physical medium, is over. While CDs and even LPs will remain available—they're so easy and cheap to make—they've become irrelevant to the mass market and to the future of audiophile recordings. The major labels have also become irrelevant (not to mention highly irritating).

Audiophilia nervosa. It's a running gag with a mean streak. As audiophiles, we know its effects intimately. We know how it can turn what was once a source of pleasure and pride—listening to good music over a good sound system—into an irritating itch that can't be scratched.

The UrbanDictionary.com defines audiophilia nervosa (AN) as "the anxiety resulting from the never-ending quest to obtain the ultimate performance from one's stereo system by means of employing state-of-the-art components, cables, and the use of certain 'tweaks.' Although the goal is supposedly to achieve maximum appreciation of the music, those afflicted with this condition are merely obsessed with their electronics."