I'll Take Mine Unleaded
"It's not just it doesn't work as well, it doesn't sound as good!"
Veteran audio reviewer Martin Colloms and I were taking a preprandial walk across London's Hampstead Heath, following Cream's reunion concerts at the Royal Albert Hall last May. Martin was getting animated:
"And don't ask about the whiskers!"
Of course, I had to ask about the whiskers.
Illuminated Cables & the Laws of Physics
Nature and Nature's laws lay hid in night; God said, Let Newton be! And all was light. —Alexander Pope
Illusions, Riddles, & Toys
Remember the old mathematical riddle about moving a football from a hundred yards out to the goal line? Known as Xeno's Paradox, it goes like this: if each time the ball is moved it travels half the distance to the goal, how many moves will it take to get there? The answer: an infinite number, because no matter how many times you cut the distance to the goal by half, you'll always be some infinitesimal distance away from it.
Improving on Perfection?
Most audiophiles are aware of the modification and add-on aftermarket. A few have learned the hard way that modifier competence varies from primitive magic and sales hype to real engineering skill. Some modifiers are serious audiophiles who are also good technicians; others are scam artists whose only goal is to make a quick buck on the latest fad. If you have only a rudimentary understanding of electronics, you may not be able to make a distinction. Even the most jaded and battle-hardened among us can still be hooked and reeled in by a slick sales presentation.
Invaded by the Grays
Some folks claim to have actually seen the legendary Bigfoot, the enormous, manlike beast said to roam the backwoods of the Pacific Northwest. Others have stood in his footprints or plucked foul-smelling patches of hair from trees he has recently passed. A few have gotten close enough to take vague snapshots or shaky video clips of the beleaguered creature. One or two attest to frightful chance encounters with him. His size alone has given rise to rumors that he is dangerous, but no firm evidence has ever been produced to substantiate this.
It's a Wrap: AXPONA Reflections
Exciting. Engrossing. Exhausting. Enjoyable. Nothing but e-words from me.
I could go on, but not without breaking out the thesaurus. —Rogier van Bakel, Stereophile's newest Contributing Editor
Just How "Absolute" Is Recorded Sound?
John Atkinson at the 2012 Rocky Mountain Audio Fest
Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22. Keeping the Audiophile Faith
It's 9:45 on a mid-September weeknight in Greater Toronto. Having spent the evening reveling in the glory of her 9th birthdaycandles blown out, presents open, pleasantly full of Wegmans' Ultimate Chocolate CakeOur Birthday Girl has one additional request:
"Can we please play 'Happy Birthday Polka'?!"
Legitimate Dealers Speak Out!
In his April 16, 2001 website essay "Where's Our Freedom of Audio Choice?" reader Jim Tavegia railed against the ubiquitous policy of manufacturers only allowing their products to be available through selected retailers. "If I'm willing to pay the UPS costs, it should be my prerogative to buy equipment anywhere I please," he wrote. This echoes a controversy that appeared in the print magazine 15 years ago. The affair started with some innocent-looking text written by Audio Cheapskate Sam Tellig in the December 1985 Stereophile (Vol.8 No.8):
Let Freedom Ring
In the 2014 November issue, my good friend Steve Guttenberg ("Communication Breakdown") got his facts mostly right: It's true that most listeners (including myself) accept far more distortion today than we did years ago. Many people have never heard a great stereo systemall they've heard are overdriven boom boxes, cheap stereos, and portable systems, and that's what they expect systems and music to sound like. And distortion is part of the sonic language of such musical genres as hip-hop, rap, and alternative rock.