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The pendulum has swung back to the West Coast. Just one week after the Capital AudioFest, three weeks after AXPONA NYC, and six weeks after T.H.E. Show Newport Beach, the second California Audio Show is set to begin. Scheduled for July 15–17 in the Crowne Plaza SFO in Burlingame, the show is located just minutes from San Francisco Airport, a few giant steps from a major freeway, a free shuttle ride away from the airport's BART (Bay Area Rapid Transit) stop, and an eight-minute walk from CalTrain's Broadway Station.

Show organizer Constantine Soo, founder and editor of Dagogo.com, reports that the show currently promises 42 rooms of various sizes, all with active exhibits playing music. The list of exhibitors and brands, complete with a generous helping of California retailers, service providers, and distributors, includes a host of companies whose equipment resides in the homes and dreams of Stereophile readers.

As expected, the Recording Industry Association of America held a press conference last week to announce the formation of the Secure Digital Music Initiative (SDMI) which hopes to develop internet downloading technologies for music. The move comes after a rough year for the music business who has seen thousands of unauthorized websites offer copyrighted material for free using the MP3 audio format.

Featuring Mytek's MQA-equipped Manhattan II D/A preamplifier-headphone amplifier on its cover, our new issue—132 pages of awesome—is jam-packed with good stuff. There are reviews of Ayre's QX-5 Twenty "digital hub," Kii's ground-breaking, DSP-optimized active speaker, amplifiers from Bel Canto and Octave, and preamplifiers from Shindo and Sutherland. Jim Austin interviews Pass Labs' onlie begetter, veteran engineer Nelson Pass. Robert Baird surveys audiophile-quality reissues of horror-film soundtracks. Mikey Fremer visits revitalized SME in the UK. And kicking it all off, Art Dudley condemns CD player manufacturers who neglect their customers in the long term.

Saturday–Sunday, April 14–15, 10am–5pm: Lyric HiFi (1221 Lexington Avenue, New York, NY) invites audiophiles to listen to an assortment of systems, interact with representatives from brands such as McIntosh, Focal, and Audio Research, and qualify to purchase demo units at 20% off, all part of The Show at Lyric HiFi.

The official launch of XM">www.xmradio.com">XM Satellite Radio was set for September 12. But within hours of the September 11 attack on New York and the Pentagon, XM announced that it would be postponing its debut, which was slated to take place in Washington DC at its headquarters and broadcast studio complex.

The countdown to the start of THE Show Newport in Orange Country, California has begun. The largest three-day consumer audio show in America kicks off for the public on Friday, May 29 in the newly remodeled Hotel Irvine, with an optional trade day for press and invited guests the afternoon/eve before. With every exhibit space sold out, THE Show Newport promises to keep audiophiles busy with 406 exhibitors holding forth in 150 hotel rooms (including 10 larger suites), up to 25 larger rooms, 80 booths in a 6000 sq. ft. Headphonium Pavilion, and a packed Marketplace.

In our latest update from Montreal Audiofest 2026, Robert Schryer gives us the lowdown on what he saw and heard in The Sound Choice Room, which included gear from Matrix Audio, Fezz Audio, and Fyne Audio.

Friday–Sunday, April 13–15, 10am–8pm: Stereo Exchange (627 Broadway, New York, NY) will host a weekend-long series of demonstrations from key players in the hi-fi industry including but not limited to an Einstein-haired speaker designer, young gun salesman, and the king of kables.

Loudspeaker designer and manufacturer Richard Vandersteen has heard enough: He is embarking on a crusade to right an egregious wrong he sees being perpetuated by the marketing scribes and salesfolk working in the consumer electronics business. Though he was miles away, at his company headquarters in Hanford, CA, his passion for spreading the audiophile word came through the telephone loud and clear.

On Tuesday, March 29, 2005, the US Supreme Court heard the oral arguments for the case of Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd. This was widely covered in the mainstream news media, as well as all over the Web, but none of the synopses of the case did true justice to the give-and-take of the arguments, as I discovered this week when I stumbled upon a .pdf transcription of the complete oral arguments.