Jana Dagdagan

Last week, I embarked on a nearly three-hour public transportation trek from Queens to Cliffwood, NJ to take a tour of turntable and tonearm manufacturer VPI Industries, with Mat Weisfeld as my host. During the tour, I got to meet every member of the VPI family, learn about each step of the process, and get a firsthand look at a couple of unreleased products!

There is a particular art that many Americans have mastered, involving the collective lamentation of the unwelcoming nature of the French towards American tourists—whether this has been experienced firsthand or not is irrelevant—coupled with inexplicable, unwavering desire for all that the French stand for. The art, the wine, the cheese, the architecture, the haute couture—it is all of these, yes, but it is (I believe) the all-encompassing French vibe that we are drawn to.

It was all this that summoned me to France for a personal getaway last November, during which I snuck in a brief day trip to the factory of renowned audio giant Focal. Located in Saint-Étienne, a city in east-central France, Focal's headquarters—or self-described "undercover facility, production site"—is no more than a couple hours from Paris by train.

Picture your typical high-end audio manufacturer.

It can be a spontaneous, self-generated hybrid of black shapes, brushed metals, and varying wooden finishes. You need not limit yourself to a single component or a single manufacturer. Whatever comes to mind first, really.

Got it?

Now picture the exact opposite of that.

When Rocky Mountain Audio Fest 2016 (RMAF)—the hot hi-fi rager of the Wild West—came to its close, I had one more official stop to make: YG Acoustics.

Located just 30 minutes from Denver in the city of Arvada, is the YG Acoustics facility—including the factory, showroom, and offices. Much like most factories, the exterior is an unassuming vanilla casing, with no evidence of the flavorful, no-compromise, high-tech, high-end speakers living (and being brought to life) inside.

Art Dudley and Herb Reichert are back! In this third (and final) video conversation that I shot in Art's living room, Art and Herb have a friendly debate about stereo imaging and talk about what matters to them when it comes to the reproduction of music.

Some say audiophiles have no sense of humor. One well-known writer for another magazine even lectured John Atkinson a while back that "there is no place for humor in audio!" So here is audiophile humor at its best, brought to you by Stereophile writers Herb Reichert (left) and Steve Guttenberg (right).

In this video you will sit with me in the Bed Stuy bunker as I work on a Follow Up review of the shiny Joseph Audio Pulsar loudspeakers. You will hear what I hear. You will see how small my 13' x 11' x 9.5' listening room really is. You might notice it is not a sealed box but opens stage right and left to halls and other rooms. You will see my sturdy (and mechanically enhanced) Home Depot equipment rack and the Mytek HiFi Manhattan II DAC . . .