Jana Dagdagan

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Cans, You Dig It?

The graphic above was created with data provided to me by the CTA (Consumer Technology Association). I understand that this data cannot possibly account for every single pair of headphones sold in any given year, but I believe that this is the most accurate account of data currently available to us.

CES 2017: A Video Snapshot

"What are your thoughts on this year's CES?": A multi-dimensional question that means many different things to the many different people who share the high-end audio realm. For my first attendance at the annual Consumer Electronics Show, I had a mission: to compile answers to this complex question and fit my findings on a visual medium, a time capsule of sorts. Is this the last year of CES? Was the low attendance in the high-end audio segment at the Venetian just a temporary lull? Or could it be a turning point for the high-end audio industry? Whatever might happen, 2017 struck me as a pivotal year for CES, and a show that begged to be captured.

CES: The First of 2 Binaural Video Reports

For our video coverage of the 2018 Consumer Electronics show in Las Vegas, we purchased Sennheiser's "Ambeo" binaural system, which mounts microphones on the outer surfaces of a pair of earbuds, thus allowing the ears' pinnae to influence each mike's pick-up pattern. The Ambeo connects to an iPhone. In this report, John Atkinson visits the Lamm, Vandersteen, and VTL rooms, talks to exhibitors about their systems and their thoughts on the show, listens to some of his recordings, as well as some chosen by the exhibitors, and offers his thoughts on what he had just heard. But first, Michael Fremer shows off his Karaoke skills!

David Binney: On Bowie and Not Being an Audiophile but Subscribing to Stereophile

"Are you an audiophile?" I find myself yelling into my semi-functional smart phone, sitting in my dimly lit cubicle in Stereophile's New York office.

On the other end of the line is my close friend and long-time mentor, David Binney. We're FaceTiming in slow, fragmented motions as he eats his dinner in a lively restaurant before a gig in central Belgrade.

"No, definitely not." He says quite matter-of-factly. "I subscribe to Stereophile but I don't consider myself an audiophile. I wish I was, but it's too expensive.

Dear Non-Audiophile

It's me, Jana. I know you're probably not reading this because you most likely don't spend your down time on Stereophile.com, but I feel compelled to write to you nevertheless on the off chance that you might. If I've managed to catch your attention so far, please don't go away.

Do We Need A High-End Audio Industry Association?

As I was scanning the comments under Jason Victor Serinus's insightful piece, "What If They Gave a CES and Nobody Came?", Bill Leebens's words caught my eye. Being the (relatively) new audiophile on the block with high hopes to entice the masses, the concept of forming a trade body to promote high-end audio was immediately appealing to me. Dying to know more, I decided to stalk Bill and get to the bottom of this.
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