Jason Victor Serinus

Credo Audio Switzerland's Cinema LTM loudspeakers ($199,995/pair) may have towered above all else, but the gear from EMM Labs and their lower priced Meitner Audio line, van den Hul, VPI Industries, and DS Audio displayed in another "give it all you've got" large room was nothing to scoff at. Though I've grown tired of the overblown sound on Gary Karr's LP, Adagio di Albinoni, I was awed by the midrange beauty of Sara Barreilles's voice on a 24/88.2 file of "Goodbye Yellow Brick Road." The recorded sound of this live performance seemed uncannily real, and the soundstage was awesome.

Air-walled exhibition rooms are one of the biggest challenges at audio shows. With no solid surfaces, many exhibitors in the large rooms on the first and second floors of the Schaumburg Convention Center had no choice but to struggle to put their best face forward.

Dynaudio and Octave probably had it better than most because, at the end of a row in Utopia D, presumably two of their walls were solid. Their sound on their biggest system certain was solid and all-of-one piece, yet extremely smooth. It had lots of life and flow, especially if you listened to LP and sat in the first row where the sound was at its tube splendor wettest and the low bass clearest.

I'm not one for abusing punctuation, as in ending every sentence of a press release with an exclamation point. (It happens more frequently than you may wish to know.) But when MBL named its top-of-the-line loudspeakers X-treme ($398,000/pair), they weren't kidding. These speakers are as huge as they are imposing.

Longtime readers of Stereophile may recall my 2019 rave review of the diminutive low-cost Transparent One Encore active loudspeaker ($599). The reason I ended up reviewing a bargain component that retailed for well under four figures—one that measured quite well, I might add—was not because Stereophile's former editor, John Atkinson, assigned the product to me. Rather, after being blown away by Vanatoo's sound at an audio show, I asked to do the review.

Now, Seattle-based Gary Gesellchen (above) is preparing to release that speaker's successor, the Vanatoo Transparent One Encore Plus ($649.99).

When I first heard JMF Audio components from France at AXPONA 2022, I had no idea that, paired with the right speakers, they would produce heavenly sound. But in the room jointly sponsored by Fidelis Distribution, who handles Harbeth loudspeakers, and Audio Skies, which distributes JMF Audio and Ideon Audio, the mating of JMF with Harbeth delivered some of the finest-sounding music I heard at AXPONA 2023.

William Duncan (right), who lives relatively close to me in Sammamish, WA, has been after me for a while to hear Laufer Teknik Product's new offerings. Finally, the opportunity arrived at AXPONA. Sharing the room with John Siau of Benchmark Audio (left), Duncan and Laufer Teknik Products showed The Note ($32,500/pair), a line array speaker designed by Mark Porzilli of Melos vacuum-tube electronics fame. The price includes a SB 3000 subwoofer ($1010 each).

Harmonic Resolution Systems (HRS) unveiled its new, significantly less expensive EXR-1921-4V audio stand ($7795) at AXPONA. (I'd originally seen this stand at Definitive Audio's private Music Matters event in Seattle.) Put to good use in the Ultra Fidelis Room, it joined HRS's SXR-1921-5V audio stand ($11,550/frame), M3X2-1921 isolation base ($3995), R3X-1921 isolation base ($1975), and Vortex V150 isolation feet ($1630/set) to support a system that included Vandersteen M5HPA High Pass Amplifiers ($16,800/pair) and Kento Carbon loudspeakers ($41,700/pair)...