Jason Victor Serinus

As much as I was aware of the dizzying array of diminutive, Korean-made SOtM (Soul Of the Music) components, each identified by a different difficult-to-type assortment of upper and lower case letters plus numbers and dashes, I did not expect them to sound as good as they did. Allied to K Sound Lab's Callas Nostalgia Jr. loudspeakers ($26,990/pair), manufactured by a 25-year old company that is reportedly well known in Korea, the system displayed lovely colors, a rounded midrange, and enviable clarity on a file of "I am at Ease in the Arms of a Woman."

Add the phrase, "with extended low bass" and you've got a sense of the sound in the Krell room. Paired with Magico A5 loudspeakers ($28,000/pair), Krell's Vanguard DAC ($7500), KSA-i400 stereo amplifier ($36,500), and Anti-Cables, the system produced deep bass drums with excellence.

There were no surprises in the two adjacent MBL rooms jointly presented with Kyomi Audio. Sitting in the sweet spot before the big system, spaciousness and transparency were superb on an older modern instrument recording of Bach's Concerto for Oboe and other instruments. Ditto for Dolly Parton's adorable "Love is Like a Butterfly," which sounded simply and utterly beautiful.

Several surprises awaited in the AXPONA room sponsored by Gary Leeds's Hear This, North American distributor of WestminsterLab, and Von Schweikert Audio in association with Lampizator, NA and Small Green Computer. (Bonus points if you can read that out loud on one breath.) First was the "hard launch" of equipment from WestminsterLab: the Rei monoblock ($32,900/pair), which despite the title is not recommended for summer hikes in Yosemite, and Quest balanced preamplifier with full carbon-fiber component shielding upgrade ($25,100, or $22,900 in basic configuration). Next were the speakers—not the usual behemoths usually transported to shows by Von Schweikert Audio, but rather their smaller Endeavor SE ($27,000/pair plus eight Critical Mass Systems footers that cost $650 each).

Halfway through Day 1 of AXPONA 2023, it became clear once again that JDEvents has the staff and expertise to mount a large show with ease. While I'm sure there were a few rough patches, none of which I encountered, Deanna Tursellino's smiling face at one of several "Help" tables scattered throughout the show reflected the seeming ease with which the Fairfield, CT-based company's team of 15 assisted exhibitors and visitors alike.

If you wanted to hear an admirably smooth, solid, all-of-one-piece system with a huge soundstage and extremely fast and firm bass, Ed DeVito's Audio-Ultra exhibit was one of the best to visit. It was also the only room where you could hear CH Precision gear with the latest upgrades and the diminutive Magico A1 standmount loudspeakers ($9400/pair in silver finish).

With the assumption of audiophile Cliff Duffey (above) as President of AXISS Audio USA (aka AXISS Distribution Inc.), and the addition of T.J. Goldsby as Vice President of Sales and Dealer relations, the company has added more lines than can comfortably fit into a headline.