LATEST ADDITIONS

In the 1990s into the 2000s, I had the pleasure of interviewing jazz drummer and composer Paul Motian for both Modern Drummer and DownBeat. Motian's playful yet cantankerous spirit shone through in both conversations. The first interview took place at the ECM Records offices in Midtown Manhattan.

In the high-end audio industry, the representation of women in professional roles is strikingly low. Yet these women are integral to every facet of the industry, from engineering and design to leadership, proving that their contributions are vital.

San Marcos, California's Audience AV and old friend Ralph Karsten of Atma-Sphere bought a fresh system to T.H.E. Show.

Verdant Audio's Scott Bierfelt and Linn business development manager Rachel Mackenzie presented a fine-sounding room comprised of Linn components.

Benny Audio's Tomasz Franielczyk and Supreme Acoustic Systems's Hiram Toro were on hand to present one of my favorite rooms of T.H.E. Show. SAS's room 219 was also no slouch.

Robert Lighton's custom rig included his prototype turntable with a rosewood armboard and customized 10" Audio Note tonearm with a Miyajima Madake MC cartridge. An Audio Note S9 step-up transformer ($28,000) and M9 phono preamp ($185,000) did the analog business. An Audio Note CD 4.1x ($16,000) made music from shiny silver discs.

Succasunna, New Jersey's Orchard Audio didn't come to play. Joined by Kimber Kable and Soundfield Audio, Orchard got down to business, but quick. "We are an audio company that provides an immersive listening experience by offering top-quality DACs, streamers, and amplifiers," its website states.