Jason Victor Serinus

The latest installment in Ivan Fischer's near-complete Mahler cycle for Channel Classics, the Symphony No.3 (CCS SA 38817), renders the myriad beauties of this most wondrous of symphonies into an unforgettable experience. No matter what layer you audition on the two-disc hybrid SACD set, or whichever resolution DSD files you download—I listened in DSD128—you will discover the Budapest Festival Orchestra, Cantemus Children's Choir, Chor des Bayerischen Rundfunks, and alto Gerhild Romberger portrayed in stunning sound, with pounding percussion, cutting brass, tinkly triangles, and celestial children's voices laid out before you in a seamless soundstage.

Conductor Osmo Vänskä, whose Minnesota Orchestra has previously distinguished itself in multiple recordings of Sibelius and Beethoven, is now turning to the symphonies of Gustav Mahler. Newly arrived is his hybrid SACD, for BIS, of Mahler's Symphony 5. The first issue in a projected series that will next offer Mahler's Sixth and Second Symphonies at dates unspecified, it may not win over those whose allegiance adamantly rests with Bernstein, Chailly, Rattle, Abbado, Tilson-Thomas, Fischer, and/or other distinguished Mahler interpreters. Nonetheless, the strength of the recording's first movement alone, and its hi-rez provenance as DSD derived from 24/96 file, make its epic journey from darkness to light essential listening.

For his fourth Schumann disc since the 1998 Dichterliebe; Liederkreis collaboration with Vladimir Ashkenazy, the great German baritone Matthias Goerne joins pianist Markus Hinterhäuser in a 19-gem collection of heart-touching songs by Robert Schumann entitled Einsamkeit (Solitude). The singing on the Harmonia Mundi recital is gorgeous throughout, and the repertoire deeply communicative. This is especially the case in hi-rez from HDtracks, where the duo's artistic brilliance shines strongest.

Stick with me through this introduction, girls and boys, because the wild and wacky music I'm about to discuss is worth it! Scan any "A" list of living American composers, and the names of two Pulitzer Prize in Music recipients with the last name of Adams inevitably appears: John Adams (b. 1947, Worcester, MA), and John Luther Adams (b. 1953, Meridian, MS). Although a third Adams, John Adams' son Samuel Adams (b. 1985, San Francisco, CA) is fast emerging as a major composer, we'll spend the next two weeks exploring new recordings of music by the two elder Johns.

Twenty-four years after The Hilliard Ensemble and saxophonist Jan Garbarek recorded Officium, the first of their three haunting, century-crossing collaborations for ECM New Series, Trio Mediaeval has done something similar with trumpeter Arve Henriksen. On their latest ECM New Series album, Rímur, the vocal trio of Anna Maria Friman, Linn Andrea Fugiseth, and Berit Opheim teams up with Henriksen to produce timeless versions of chants, hymns, folk songs and improvisations based on Icelandic, Norwegian and Swedish sources from earlier times.

By the time we had finished the house tour and admired the quiet beauty of the fir-canopied neighborhood, we sensed that we would follow our hearts from unsafe and increasingly unaffordable East Oakland, CA to the serene hamlet of Port Townsend, WA. We also knew that the only suitable place for my reference/review system would be in the 22' x 22' detached garage

In honor of the Lou Harrison Centennial, Naxos has just released a CD of three of Harrison's great pieces: the Violin Concerto (aka Concerto for the Violin with Percussion Orchestra), Grand Duo, and Double Music (with John Cage). Every piece on the recording, which is also available as a 24/48 download from multiple sites, is so unique and engaging, and the percussion so resounding, that tracks from the recording are guaranteed to open ears and turn heads in rooms I visit at the forthcoming AXPONA and LAAS audio shows.