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Linn's early decision to develop hard-disk audio systems first got our attention when the Kivor project was">http://www.stereophile.com/news/10645/">was announced back at the 2000 Consumer Electronics Show. The Linn Kivor has now spent almost two years on the market, garnering a positive reviewhttp://www.stereophile.com//digitalsourcereviews/497/">review; from John Atkinson and a special "Editor's Choice" mention in this month's 2002 Products of the Year.

Imitation, as the old saw would have it, is the sincerest form of flattery. It might also offer a way for DVD-Audio to establish credibility and build a customer base.

We kick off our anniversary collection with 40">http://www.stereophile.com//features/708/">40 Years of Stereophile: What Happened When. Editor John Atkinson recounts the complete history of Stereophile, starting in 1930 when J. Gordon Holt heard his first sound in North Carolina.

At present, the recording industry is based on a variety of analog and PCM digital audio formats, putting proponents of Super Audio Compact Disc (SACD, which is based on the Direct Stream Digital, or DSD, format) in a tough place when it comes to creating pure DSD works for showing off the format. To date, labels have had a limited number of options for creating, mixing, and mastering pure DSD projects.

US lawmakers have honored their promise to address a languishing small-webcaster royalty bill that was put">http://www.stereophile.com/news/11468/">put on hold prior to the fall elections.

Folk wisdom has it that fools lock the barn door after the horses have escaped. They also chase all over the countryside trying to catch them. The music business is doing some of both in legal action brought against file-sharing service Madsterhttp://www.madster.com">Madster;.

Growing pains aren't always unpleasant. In the case of Denver-based Ultimate">http://www.ultimateelectronics.com">Ultimate Electronics, they might be completely enjoyable.