Stephen Mejias

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La Luz

La Luz: Marian Li Pino (drums), Abbey Blackwell (bass), Shana Cleveland (guitar), Alice Sandahl (keys)

On Tuesday night, while on their way to Seattle to play a show with Of Montreal, the four young women who make up the great new band La Luz suffered a frightening accident. Losing control of their van, they slid across black ice, and slammed into a concrete highway divider. The band managed to maneuver their van to the side of the road, where they called for help. Then, almost incredibly, while waiting for the police and a tow truck to arrive, their van was hit by a semi-trailer truck. The van, all of the band’s gear, and many of their belongings were completely destroyed.

To get a sense of the impact, see a photo of the van here. Fortunately, it was a 12-passenger van, and La Luz were using the entire back half as cargo space for their gear and belongings. The women were seated up front when their van was rear-ended by the semi-truck, sending them toppling into a ditch. Moments later, a third van slid across the freeway and collided into the semi! Aside from bruises, broken bones, and the major disappointment of having to cancel the rest of their tour, all members of La Luz are fine, as are the drivers of the other vehicles.

A message from La Luz’s official website:

Jenny Hval at the Mercury Lounge

Last night, AudioStream.com's Michael Lavorgna and I attended Jenny Hval's performance at the Mercury Lounge on Houston Street in Manhattan's Lower East Side. Because we first made stops to: browse LPs and chat with Daniel at Other Music, enjoy cask-conditioned ales at dba, and devour some incredibly delicious pies at Rizzo's, we were primed for a memorable evening of music.

Jenny Hval did not disappoint.

Regarding the death of the home stereo system

In the last 15 minutes, about 25 people have sent me a link to this article, so now I'll share it with you. For better or worse, whether we're discussing velour suits or Compact Discs, any discussion regarding death is most likely premature. I call for a death to the discussion of death.

Yet, here we go again, this time discussing "the death of the home stereo system." CNN reporter Todd Leopold paints it as the classic struggle between quality and convenience, and seems to think that convenience has finally delivered the knock-out punch.

Surpassing Expectations: Pioneer's Andrew Jones

In our September issue, I wrote about Pioneer’s excellent SP-BS22-LR loudspeaker. At just $129.99/pair (and often discounted), the SP-BS22-LR represents extraordinary value and may very well attract a wider and younger audience to true high-fidelity sound. The only thing I don’t really like about the speaker is its tongue-twister of a name. (But that’s easy to forgive. Most people can’t pronounce my name, either.)

While preparing the review, I took the opportunity to ask Andrew Jones, Pioneer’s chief engineer, a few questions about hi-fi, music, and loudspeaker design. As always, Jones was forthright and charming; his answers to my questions were often enlightening.

Video: Juliana Barwick's "The Harbinger"

Julianna Barwick has released a live video for “The Harbinger,” from her new album, Nepenthe.

Curiously, the album version always&#151always&#151reminds me of the opening chorus to The Rolling Stones’ 1969 hit, “You Can’t Always Get What You Want.” Here, though, whatever hint of triumphant rock’n’roll that may exist in “The Harbinger” is replaced by the impressionistic strokes of cold, windblown colors and sheer textures. We hear the crunch of gravel beneath footsteps, the lapping of waves, sniffles, the chimes of an iPhone&#151all of these elements are captured, looped, and folded into the piece.

Volcano Choir: Repave

Volcano Choir’s sophomore record, Repave, was released by Jagjaguwar on September 3rd. Justin Vernon of Bon Iver returns as lead vocalist.

I was disappointed by the band’s 2009 debut, Unmap, which felt more like a Bon Iver side project, made of fragments and sketches that promised greatness&#151and had some great moments&#151but rarely delivered the kind of focused and resolved songs that I had hope for. I liked Unmap, but I wanted to love it&#151and I didn’t.

Repave, though, is something different. If Unmap was the sound of a band finding its way, Repave is a band that has arrived, fully formed and full of joy. There’s an interesting story behind the making of Repave, which you can hear in this ten-minute documentary.

Payday Albums: 7/26/13 & 8/23/13

Julianna Barwick's new album, Nepenthe, is available now. Photo: Shawn Brackbill.

I’ve been so happily preoccupied with my review of NAD’s new D 3020 integrated amplifier that I’ve again fallen behind on my “Payday Albums” posts. My review of the D 3020 will appear in our November issue. I used many of the albums listed below as demo material for that review.

It’s been a seriously great time.

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