Bryce Dessner: Crossing Boundaries Bryce Dessner Picks

Sidebar: Julie Mullins's Bryce Dessner Picks

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St. Carolyn by the Sea/Suite from There Will Be Blood, with Jonny Greenwood and Copenhagen Philharmonic, Andre de Ridder, cond., 2014.
Swirls of electric guitar amid flutes with full orchestral sweep and a sense of stately drama. High-note pizzicatos give way to urgent strings on Lachrimae.

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El Chan, with Katia and Marielle Labèque, pianos, 2019.
Intense attacks, rapid-fire runs, and delicate pianissimos. Includes the Concerto for Two Pianos Dessner composed for the two sisters.

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Music for Wood & Strings, So Percussion, 2018.
This unusual album features "chordsticks," a hybrid, fretless instrument Dessner conceived combining electric guitar sound with the playing action of hammer dulcimer, the sound of which they resemble.

With The National:

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Boxer, 2007.
A recording session filled with tension yielded arguably their most accessible album. Its hooks hold up more than a decade after its release. Some themes feel charmingly all-grown-up-now.

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Trouble Will Find Me, 2013.
Some find this one a bit overserious, but it lays the foundation for what's to come.

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Sleep Well Beast, 2017.
Surprising math-rock and experimental influences emerge on this Grammy Award winner for Best Alternative Album. Loops, synths, and pedal effects galore—even some guitar solos.

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I Am Easy to Find, 2019.
Gentler, with Dessner's lucid orchestrations and several female guest vocalists including Gail Ann Dorsey, and the Brooklyn Youth Chorus.

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ON 37d03d:

People Mixtape 01 (Various Artists), 2018.
This limited-release album shows off the 37d03d collective's diversity of influences and styles. Much of it sounds good, too.
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