Skullcandy Roc Nation Aviator Page 2

The Skullcandy Roc Nation Aviator ($179)
This stylish noggin' wrapper is a rather smallish full-size, sealed headphone. Available in glossy iWhite, through-a-glass-darkly black, and an amber see-through cup, brown pleather soft bits, and bright-gold metalwork design so delightfully retro that I longed for the days I wore bell-bottoms. It's flashy, it's funky, it's got Skulls on it, look at the pictures, if it suits your style you'll be glad to know it looks better in the flesh.

The build quality is quite good, but a bit weird. Headphones from the big makers tend to be tight as a drum with little, if any, creaking about. The Aviators rattle a bit, but the design is such that most of the rattling stops when tensioned on the head. The metal bands that loop over the head "ting," and the ear-cup covers "tock" substantially when tapped, but the build quality itself looks good; most parts are screwed together, and disassembly and reassembly is very easy. I was told a lot of work went into the lenses to ensure that they don't distort when looking at the internals, and that scratch-resistant coatings have been applied. I had a non-see-through white Aviator, so I went down to HeadRoom to check their amber and black demo units. The lenses really didn't distort and the finish looks very nice.

I did have a weird experience that I don't think I've ever had with a pair of headphones before: they whistled in the wind ... inside the house even. Walking at normal speed down the hallway in my fuzzy slippers I heard the wind gently whistling through something in the ear-cup; not loud enough to be bothersome while listening to music, but they did make wind noise. Outside on a gusty day the wind noise was there as well, but not as loud as I had feared, nor overly bothersome when the music was playing at a normal level. Not sure where the noise is coming from exactly, but the cup covers have numerous small openings that might do it.

I'm not a big fan of cloth covered cables as they tend to wrinkle and snag, but it suits the styling well here. The standard 3.5mm, four-segment connector has a small chromed body that will fit through the hole in your player case, and has a little skull logo cleanly laser etched on either side. The mike/remote switch seemed a little cheap and was mounted a little high on the cable for me. It did not actuate reliably on the center "stop/play/answer" button; often depressing it would actuate the up or down command instead or prior to sending the stop signal. The cable should be better.

The cup covers (Skullcandy calls them "lenses," harkening back to their heritage as sunglasses) and ear-cushions are easily removed, leaving a very thin baffle plate assembly. I found this a novel and innovative design. A ring of small rectangular holes surrounds the driver to port the ear chamber; a small pad of permeable foam lines the ear side of the baffle plate, and apparently provides some damping for the ear chamber and baffle ports. It looks like there was some good engineering going on here. All the bits seemed nicely assembled and are relatively reparable; the solder joints were good; the cable reasonably strain relieved, but the wire gauge used seemed a bit thin (about 30-32 AWG). Because they are so easy to open, and sound so good, I think they're probably a great headphone to try to modify and tweak. If you're so inclined, and the cable would be a good place to start.

I'm a realist. In designing a fashionable product, many of the aesthetic elements come first, then the product is engineered --- and compromised --- around them. Considering the dashingly good looks and very good sound, I think the mechanical design, materials, and fit and finish of the Aviator are a particularly smart and well-executed set of compromises, and make for a product where the whole does seem greater than the sum of the parts.

The ergonomics are very good overall. The Aviators are light, and fit quite securely on the head; the adjustability and clamping pressure are dandy. The folding mechanism is simple and effective, and the included matching pleather carry bag is stylish and practical. A very nicely executed piece of kit.

The pleather ear-pads are sumptuous and pliant, but the design demand for tear-drop shaped ear-pieces produced an ear-cup with the wrong end up to be really comfortable. The top of my ears (which are about average) end up wedged between the pad and baffle plate foam where the ear cushion narrows at the top. The cushion is plush, so I didn't notice it at first, but after 45 minutes or so, it called my attention. Not a deal breaker though, for the most part I felt them a comfortable and stable headphone perfectly adequate for daily movement in the home, office, and out-and-about.

I have a hard time categorizing these headphones as full-size, sealed headphones, but I can't quite bring myself to call the open or ear-pad headphones either. They are what they are very nicely, but what they aren't is very good at shutting out outside noise. These are more general purpose headphones for use around home, office, and general roaming. If you are looking for isolation during train commutes and the like, you should look elsewhere.

The Sound
I almost don't know what to say here, there are soooo many ways a headphone can fail ... and the Aviators simply don't. That's not to say they're perfect, though. Mid-bass and below they turn a little "one-note" and then fall off pretty quickly, but from the upper-bass to the low-treble they're wonderfully balanced, delivering voices and acoustic instruments with a happy naturalness. The highs are nicely present without being biting at all. I do detect a little artificial zazz up top and a lack of air and distance, but few headphones in this type/price category do depth or image well. Overall the sound is full, tasty, and cheerful.

I want to harp on the bass issue for a moment before I scare away all the younger crowd who love the thump: Most bass heavy cans I've heard turn the bass to pure mud. It may be louder, but the trolloping pluck-love the bassist is making for you is completely lost if a headphone can't enunciate the low notes. While the Aviator's performance isn't great here, it more than makes up for in great tonal balance and a well proportioned punch from the mids and upper bass. The ability to play well at a solid listening level without getting screechy is a rare commodity, and the Aviators have it. A lot of you iPod users will be listening to highly compressed music (both in dynamic range in the studio, and in bit-depth when turned into an MP3 or streamed off the internet) that often sounds ragged; the balanced and cheerful nature of the Aviators sound will go a long ways to making your music sound as good as it can.

I spent a while comparing the Aviators with other strong competitors in it's category at large, including: the Audio-Technica ATH-M50; Sennheiser HD 280 Pro; Shure SRH840; Sony MDR-V6; Sennheiser HD 448; Shure SRH750DJ; and, Phiaton PS 500. Apart from the bass issues, the Aviator bested all but the SRH840 to my ears in terms of a balanced sound. The Aviators are solid performers in this category.

"Wait ... wut? ... Skullcandy competitive in sound quality?"

WTF is up with Skullcandy? Since when did they start making good sounding headphones? Was this a case of a thousand monkeys getting lucky? Or is Skullcandy smarter than I've previously given them credit for?

I decided to call and find out...

Skullcandy
1441 W Ute Blvd. Suite 250
Park City, UT 84098
www.skullcandy.com
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