Recording of July 2011: So Beautiful or So What
Paul Simon: So Beautiful or So What
Hear Music HRM-32814 (CD; the LP comes with a voucher for hi-rez downloads). 2011. Paul Simon, Phil Ramone, prods.; Andy Smith, eng. AAD? TT: 38:15
Performance ****½
Sonics ***½ "Love & Blessings"? "Questions for the Angels"? It seems that Paul Simon, who will turn 70 in October, has begun to ask life's Big Questions in preparation for his own exit. Yet in this case, seeming is not reality, and at 69, Simon has returned to his polyglot musical influences (that he may or may not have heisted...but that's an argument for another day) to fashion a startlingly powerful collection of songs that successfully mix the jaunty near-danceability of his world-music adventures with serious lyrics about impending death, the vagaries of love, and, especially, the many unknowables contained in the word God.
Hear Music HRM-32814 (CD; the LP comes with a voucher for hi-rez downloads). 2011. Paul Simon, Phil Ramone, prods.; Andy Smith, eng. AAD? TT: 38:15
Performance ****½
Sonics ***½ "Love & Blessings"? "Questions for the Angels"? It seems that Paul Simon, who will turn 70 in October, has begun to ask life's Big Questions in preparation for his own exit. Yet in this case, seeming is not reality, and at 69, Simon has returned to his polyglot musical influences (that he may or may not have heisted...but that's an argument for another day) to fashion a startlingly powerful collection of songs that successfully mix the jaunty near-danceability of his world-music adventures with serious lyrics about impending death, the vagaries of love, and, especially, the many unknowables contained in the word God.
Recording of July 2012: Bill Evans Live at Art D'Lugoff's Top of the Gate
Bill Evans: Live at Art D'Lugoff's Top of the Gate
Bill Evans, piano; Eddie Gomez, bass; Marty Morrell, drums
Resonance HLP-2012 (2 LPs/2 CDs, HDTracks 24/44.1k download). 1968/2012. George Klabin, exec. prod., mix, sound restoration; Zev Feldman, prod.; Fran Gala, mix, sound restoration, mastering. ADA/ADD. TT: 49:12/40:50
Performance *****
Sonics * to *** Complain if you will, analog lovers, about the evils of digital technology, but in one area there isn't a whiff of argument: the esoteric pursuit of rescuing live recordings with marginal sound. Without question, manipulating ones and zeros has cleaned up a lot of nearly unlistenable bootlegs. This bit of buried treasure, while never unlistenable, has been rendered in sound that is, at times, very good. The two-star sonics rating, which may seem shocking for a "Recording of the Month," is an averagewhile the sound quality rates a single star in the opening, it's nearly up to four stars by Disc 2. The long-ago sounds of these two live sets of the Bill Evans trio playing mostly standards, recorded in a long-gone Greenwich Village club, Top of the Gate (it was literally above the better-known Village Gate jazz club), are, if not the holy grail, then a very gilded cup.
Bill Evans, piano; Eddie Gomez, bass; Marty Morrell, drums
Resonance HLP-2012 (2 LPs/2 CDs, HDTracks 24/44.1k download). 1968/2012. George Klabin, exec. prod., mix, sound restoration; Zev Feldman, prod.; Fran Gala, mix, sound restoration, mastering. ADA/ADD. TT: 49:12/40:50
Performance *****
Sonics * to *** Complain if you will, analog lovers, about the evils of digital technology, but in one area there isn't a whiff of argument: the esoteric pursuit of rescuing live recordings with marginal sound. Without question, manipulating ones and zeros has cleaned up a lot of nearly unlistenable bootlegs. This bit of buried treasure, while never unlistenable, has been rendered in sound that is, at times, very good. The two-star sonics rating, which may seem shocking for a "Recording of the Month," is an averagewhile the sound quality rates a single star in the opening, it's nearly up to four stars by Disc 2. The long-ago sounds of these two live sets of the Bill Evans trio playing mostly standards, recorded in a long-gone Greenwich Village club, Top of the Gate (it was literally above the better-known Village Gate jazz club), are, if not the holy grail, then a very gilded cup.
Recording of July 2013: Rumba de la Isla
Pedrito Martinez: Rumba de la Isla
Pedrito Martinez, vocals, congas, chekere, cowbell; Niño Josele, guitar, clapping; Alfredo de la Fé, electric violin; John Benítez, acoustic & electric bass; Pirana, cajón, clapping; Román Díaz, batas, cajón, spoons, vocals; Xiomara "La Voz" Laugart, Abraham Rodríguez, backing vocals
Calle 54/Sony Masterworks 8876 540607 2 (CD). 2013. Nat Chediak, Fernando Trueba, prods.; Jim Anderson, eng. DAD? TT: 50:20
Performance ****½
Sonics ***** Cross-cultural mashups are all the rage. There's the BlueBrass mix of New Orleans brass band and bluegrass, reviewed in this issue. The Border Music project mixes David Hidalgo's Norteño/East L.A. rock with Marc Ribot's downtown New York jazz. Here, conguero Pedrito Martinez, born in Cuba but based in New York City, successfully crosses Afro-Cuban rumba with Andalusian flamenco to celebrate the work of flamenco composer and singer Camarón de la Isla. Born José Monje Cruz, de la Isla is probably best known outside Spain for his collaborations with guitarist Paco de Lucía; together they made nine records, and toured extensively throughout the 1970s. De la Isla died in 1992 at the age of 41.
Pedrito Martinez, vocals, congas, chekere, cowbell; Niño Josele, guitar, clapping; Alfredo de la Fé, electric violin; John Benítez, acoustic & electric bass; Pirana, cajón, clapping; Román Díaz, batas, cajón, spoons, vocals; Xiomara "La Voz" Laugart, Abraham Rodríguez, backing vocals
Calle 54/Sony Masterworks 8876 540607 2 (CD). 2013. Nat Chediak, Fernando Trueba, prods.; Jim Anderson, eng. DAD? TT: 50:20
Performance ****½
Sonics ***** Cross-cultural mashups are all the rage. There's the BlueBrass mix of New Orleans brass band and bluegrass, reviewed in this issue. The Border Music project mixes David Hidalgo's Norteño/East L.A. rock with Marc Ribot's downtown New York jazz. Here, conguero Pedrito Martinez, born in Cuba but based in New York City, successfully crosses Afro-Cuban rumba with Andalusian flamenco to celebrate the work of flamenco composer and singer Camarón de la Isla. Born José Monje Cruz, de la Isla is probably best known outside Spain for his collaborations with guitarist Paco de Lucía; together they made nine records, and toured extensively throughout the 1970s. De la Isla died in 1992 at the age of 41.
Recording of July 2014: Texas Hurricane
Stevie Ray Vaughan: Texas Hurricane
Epic/Legacy/Analogue Productions AAPB SRV33-BOX (6 LPs, 331?3rpm). 19831991/2014. John Hammond Sr., orig. exec. prod.; Stevie Ray Vaughan, John Hammond Jr., Richard Mullen, others, orig. prods.; Richard Mullen, James Geddes, Lincoln Clapp, others, orig. engs.; Chad Kassem, reissue exec. prod.; Ryan Smith, remastering. AAA. TT: 3:55:20
Performance *****
Sonics ***** He was the shining star the blues world had always dreamed of: the rare performer who could break through to the musical mainstream. Yet alas, he flashed across the musical heavens and was gone far too soon, dying in a helicopter crash in August 1990, at the age of 35. That Stevie Ray Vaughan's reign as blues-guitar hero was brief but incendiary is driven home yet again by this spectacular new boxed set from Epic/Legacy and Chad Kassem's Analogue Productions label.
Epic/Legacy/Analogue Productions AAPB SRV33-BOX (6 LPs, 331?3rpm). 19831991/2014. John Hammond Sr., orig. exec. prod.; Stevie Ray Vaughan, John Hammond Jr., Richard Mullen, others, orig. prods.; Richard Mullen, James Geddes, Lincoln Clapp, others, orig. engs.; Chad Kassem, reissue exec. prod.; Ryan Smith, remastering. AAA. TT: 3:55:20
Performance *****
Sonics ***** He was the shining star the blues world had always dreamed of: the rare performer who could break through to the musical mainstream. Yet alas, he flashed across the musical heavens and was gone far too soon, dying in a helicopter crash in August 1990, at the age of 35. That Stevie Ray Vaughan's reign as blues-guitar hero was brief but incendiary is driven home yet again by this spectacular new boxed set from Epic/Legacy and Chad Kassem's Analogue Productions label.
Recording of July 2016: American Tunes
Allen Toussaint: American Tunes
Nonesuch 554644 (CD). 2016. Joe Henry, prod.; Ryan Freeman,, eng.; Wesley Seidman, Monique Eveleyin, asst engs. ADD? TT: 49:31
Performance ****½
Sonics ****½ David Bowie, Glenn Frey, Phife Dawg, Merle Haggard, Dan Hicks, Ernestine Anderson, Lonnie Mack, Maurice White, Blowfly, Otis Clay, Steve Young, George Martin, Keith Emerson, Henry McCullough, Prince. Was there a genre or subgenre of music that did not grieve in the closing months of 2015 through spring 2016a period that must rank among the most devastating ever for the loss of important and influential songwriters and musicians?
Nonesuch 554644 (CD). 2016. Joe Henry, prod.; Ryan Freeman,, eng.; Wesley Seidman, Monique Eveleyin, asst engs. ADD? TT: 49:31
Performance ****½
Sonics ****½ David Bowie, Glenn Frey, Phife Dawg, Merle Haggard, Dan Hicks, Ernestine Anderson, Lonnie Mack, Maurice White, Blowfly, Otis Clay, Steve Young, George Martin, Keith Emerson, Henry McCullough, Prince. Was there a genre or subgenre of music that did not grieve in the closing months of 2015 through spring 2016a period that must rank among the most devastating ever for the loss of important and influential songwriters and musicians?
Recording of July 2017: TajMo
Taj Mahal & Keb' Mo': TajMo
Concord CRE00432 (LP). 2017. Taj Mahal, Keb' Mo', prods.; Zach Allen, John Caldwell, Alex Jarvis, Jesse Nichols, Casey Wasner, engs.; Ross Hogarth, mix; Richard Dodd, mastering; Bernie Grundman, vinyl mastering. AAA? TT: 45:20
Performance ****
Sonics **** The blues, that wonderful basis of so much American popular music, has for many listeners grown a bit stale and old-fashioned. It's not much of a draw outside bar bands, and other than Alligator Records, most of the biggest blues labels have folded or gone dormant. Losing many of the music's first- and second-generation practitioners hasn't helped.
Concord CRE00432 (LP). 2017. Taj Mahal, Keb' Mo', prods.; Zach Allen, John Caldwell, Alex Jarvis, Jesse Nichols, Casey Wasner, engs.; Ross Hogarth, mix; Richard Dodd, mastering; Bernie Grundman, vinyl mastering. AAA? TT: 45:20
Performance ****
Sonics **** The blues, that wonderful basis of so much American popular music, has for many listeners grown a bit stale and old-fashioned. It's not much of a draw outside bar bands, and other than Alligator Records, most of the biggest blues labels have folded or gone dormant. Losing many of the music's first- and second-generation practitioners hasn't helped.
Recording of July 2018: Life Of
Steve Tibbetts: Life Of
Steve Tibbetts, 12-string guitar, piano; Michelle Kinney, cello, drones; Marc Anderson, percussion, handpan
ECM 2599 (CD). 2018. An ECM production; Steve Tibbetts, eng.; Greg Reierson, eng., mastering. DDD. TT: 50:40
Performance *****
Sonics ***** The sound of Steve Tibbetts's guitar music is uniqueone need hear only a measure or two of his new album to identify the distinct tang of his playing. Common wisdom is that a guitarist's sound is in the hands and fingers, but Tibbetts has another trick: his weathered, 50-year-old Martin D12-20 12-string acoustic guitar.
Steve Tibbetts, 12-string guitar, piano; Michelle Kinney, cello, drones; Marc Anderson, percussion, handpan
ECM 2599 (CD). 2018. An ECM production; Steve Tibbetts, eng.; Greg Reierson, eng., mastering. DDD. TT: 50:40
Performance *****
Sonics ***** The sound of Steve Tibbetts's guitar music is uniqueone need hear only a measure or two of his new album to identify the distinct tang of his playing. Common wisdom is that a guitarist's sound is in the hands and fingers, but Tibbetts has another trick: his weathered, 50-year-old Martin D12-20 12-string acoustic guitar.
Recording of July 2019: Takin' Off
Herbie Hancock: Takin' Off
Herbie Hancock, piano; Freddie Hubbard, trumpet; Dexter Gordon, tenor saxophone; Butch Warren, double bass; Billy Higgins, drums.
Blue Note Records 84109 (LP), 1962, 2019. Alfred Lion, prod.; Rudy Van Gelder, eng.; Don Was, Cem Kurosman, reissue prods.; Kevin Gray, reissue eng. AAA. TT: 39:01
Performance ****
Sonics ****½ From 1962 until now, and counting all formats except downloads, there have been no fewer than 62 releases of Herbie Hancock's debut album, Takin' Offmore than any of his other albums except Maiden Voyage (1965) and Head Hunters (1973). This issue's Recording of the Month comes from an ambitious project referred to by Blue Note Records as the Blue Note 80 Vinyl Reissue Series, which is distinct from the company's Tone Poet Audiophile Vinyl Reissue Series, described in Sasha Matson's interview with company President Don Was in the May 2019 Stereophile.
Herbie Hancock, piano; Freddie Hubbard, trumpet; Dexter Gordon, tenor saxophone; Butch Warren, double bass; Billy Higgins, drums.
Blue Note Records 84109 (LP), 1962, 2019. Alfred Lion, prod.; Rudy Van Gelder, eng.; Don Was, Cem Kurosman, reissue prods.; Kevin Gray, reissue eng. AAA. TT: 39:01
Performance ****
Sonics ****½ From 1962 until now, and counting all formats except downloads, there have been no fewer than 62 releases of Herbie Hancock's debut album, Takin' Offmore than any of his other albums except Maiden Voyage (1965) and Head Hunters (1973). This issue's Recording of the Month comes from an ambitious project referred to by Blue Note Records as the Blue Note 80 Vinyl Reissue Series, which is distinct from the company's Tone Poet Audiophile Vinyl Reissue Series, described in Sasha Matson's interview with company President Don Was in the May 2019 Stereophile.
Recording of July 2020: Earth
EOB (Ed O'Brien): Earth
Capitol (24/88.2 streaming). 2020. Flood and Catherine Marks, prods.; Alan Moulder, Stephen Marcussen, engs.
Performance ****
Sonics **** Calling himself EOB, songwriter/singer/guitarist Ed O'Brien has released his first solo album after 35 years with Radiohead. Over the decades, bandmates have branched out for high-profile projectsJonny Greenwood writes film scores and Thom Yorke has several solo recordingsbut O'Brien has stayed mostly in the background. Earth pushes him to the forefront, revealing a knack for collaborative creativity.
Capitol (24/88.2 streaming). 2020. Flood and Catherine Marks, prods.; Alan Moulder, Stephen Marcussen, engs.
Performance ****
Sonics **** Calling himself EOB, songwriter/singer/guitarist Ed O'Brien has released his first solo album after 35 years with Radiohead. Over the decades, bandmates have branched out for high-profile projectsJonny Greenwood writes film scores and Thom Yorke has several solo recordingsbut O'Brien has stayed mostly in the background. Earth pushes him to the forefront, revealing a knack for collaborative creativity.
Recording of July 2021: The Who Sell Out
The Who: The Who Sell Out
Universal 7711420 (5 CDs, 2 7" singles). 1967/2021. Kit Lambert, Pete Townshend, prods.; Damon Lyon-Shaw, Jon Astley, Andy MacPherson, other engs.
Performance *****
Sonics **** This 5-CD box-set version of The Who Sell Out is the latest iteration of a 54-year-old work-in-progress. It contains an unrivaled wealth of recorded information covering the period between the Who's second album, A Quick One (Happy Jack in the US), and the monumental rock opera Tommy.
Universal 7711420 (5 CDs, 2 7" singles). 1967/2021. Kit Lambert, Pete Townshend, prods.; Damon Lyon-Shaw, Jon Astley, Andy MacPherson, other engs.
Performance *****
Sonics **** This 5-CD box-set version of The Who Sell Out is the latest iteration of a 54-year-old work-in-progress. It contains an unrivaled wealth of recorded information covering the period between the Who's second album, A Quick One (Happy Jack in the US), and the monumental rock opera Tommy.