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We Get Letters Department: Stereophile editor John Atkinson recently received the following email from Tony Fisch, the director of corporate development at MusicGiants: "MusicGiants (www.musicgiants.com) will be the first company to offer high-fidelity downloads from all record labels. MusicGiants uses Microsoft WMA 'lossless' codec (450kbps) to preserve 100% of the music. The result is music that sounds just like the artist intended. Finally, real music downloads up to 1100kbps. MusicGiants' downloads will be $1.29 per track, and $15.29 per album.

Most aspiring musicians dream of the day they will sign a contract with a major record label. Too often, the dreams become nightmares from which they can escape only much later in life.

Thanks to an agreement reached in October, musicians, rather than their record labels, will receive royalty payments for the use of recordings distributed over the Internet or broadcast over cable and satellite systems. Royalty collection agency SoundExchangehttp://www.soundexchange.com">SoundExchange; will distribute payments directly to performers, regardless of their contracts with the record companies, according to a statement issued the second week of November.

Wednesday, June 23, was an auspicious day for Musicland">http://www.musicland.com/">Musicland Stores Corporation. That day the Minneapolis, Minnesota-based music and video retailer took its sales online. Four websites, each mirroring one of Musicland's four divisions, went live simultaneously with a promotional contest offering customers the chance to win daily and weekly prizes and a $10,000 grand prize---including a Sony home entertainment system. Participants can also win a trip for two to the World">http://www.wwf.com/">World Wrestling Federation Summer Slam in Minneapolis on August 22.

While audiophiles obsess about extracting another iota of resolution from our already high-rez systems and recordings, the rest of the world is going crazy for portable music.

Under the category of "abundance of musical riches," there are two fantastic series about music airing on PBS right now. You probably already know about one of them, but another, which many readers will like even better, is getting far less press.

Remember when you weren't too busy to make your own cassette tapes to play in the car? How you could link one song to the next by genre or theme or beat or musical key? Remember how much more satisfying it was to listen to those tapes than it was to listen to the radio? No commercials, no announcers, no filler---and you liked every tune.