Stephen Mejias

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Quality (Sound and Otherwise)

Here, in this entry, I'm looking for a way to casually and intelligently — and perhaps even humorously — mention sake&#150soaked">http://vpo3.virtualpressoffice.com/document.jsp?id=1146143593137">sake&… wood cone speakers. Because sake&#150soaked wood cone speakers are weird. And interesting. And funny. And that kind of weird, interesting, funny stuff needs to be pointed at and teased, wondered upon and caressed. But I will fail at being clever about it, I will throw subtlety out the window, and I will just blurt it out at the start.

Quality and Elegance at In Living Stereo

In">http://www.inlivingstereo.com/index.htm">In Living Stereo is located at 13 East 4th Street, one door down from Other Music and just across from where Tower Records once stood tall. It's a great place for a hi-fi shop. To get there, you might take the 6 train to Astor Place, where you will climb right into a blur of so much height and movement and memory.

Radio Happy Hour

In the">http://forum.stereophile.com/forum/showflat.php?Cat=0&Board=rants&Numbe… forum, it’s been determined that Magnum">http://www.stereophile.com/integratedamps/329/index.html">Magnum Dynalab, without a doubt, offers the best tuners on the market; and, while I don’t own a decent tuner and my time spent listening to the radio is dedicated almost entirely to frustrating Mets games and morning weather reports, I am now interested in Radio Happy Hour, with host Sam Osterhout, actors Matt Skibiak and Robin Reed, and music by Stephanie Davila.

Random Thoughts: On Not Saying Hello to Nori Komuro

This morning, I walked right by electrician and idiosyncratic amplifier designer, Nori Komuro, and I didn’t say a word. Not even hello. Why didn’t I say anything? I don’t know. I had just emerged from the subway, and was walking up 32nd Street, toward Herald Square, and I wasn’t expecting to see an idiosyncratic amplifier designer. I was looking, instead and as usual, at the ground, at the sky, at high-heels and at skirts. I saw plenty of those. I was pulling a small handcart carrying a box of loudspeakers. Nori Komuro and I would have had something to talk about.

“Oh, loudspeakers,” Nori Komuro might have said.

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