High Fidelity Meets High Fashion: Sennheiser to expand its Momentum line
I was pleased to learn that Sennheiser has plans to expand its fashion-conscious Momentum line to include at least two new, lower-priced models.
High Fidelity Takes Manhattan
From Tsunehisa Kimura's Toshi Wa Sawayakana Asa Wo Mukaeru (The City Welcomes a Fresh Morning)
As Jason Victor Serinus reported, the New York Audio Show will take place this Friday through Sunday at the Palace Hotel (455 Madison Avenue, at 50th Street) and will host some 250 high-performance audio brands and several interesting seminars.
But the New York Audio Show is not the only audio-related event to take place in Manhattan this weekend. Two major NYC dealers, Lyric Hi-Fi & Video and Stereo Exchange, will hold their own special events, separate from the NYAS. Both events are free to the public and will feature product demonstrations, discounted pricing on demo equipment, and ample time for Q&A with manufacturer representatives.Hoofin' with Sjöfn
I've written before about the Washington state-based company Sjöfn HiFi and their remarkable little loudspeaker called the Clue ($999/pair): an inexplicably huge-sounding thing that does a far better job than average of putting across force, feel, and fun. The Sjöfn room at NYAS, sponsored by Outreach A/V of Westfield, New Jersey, went even further, with a double pair of Clues driven by a humble NAD integrated amplifier with a built-in D/A converter, itself fed by an Oppo Blu-Ray player and Squeezebox (offstage). A piece called Concerto for Jazz Drummer and Full Orchestra, written by composer/conductor Harold Farberman and performed with the great drummer Louie Bellson, sounded colorful and wild, just as it should have. That alone motivated me to request, finally, a pair of the Clue for review.
Ikeda Tonearm Sighting
Beauty of Sound also imports and distributes Ikeda tonearms and phono cartridges, used at the show in tandem with a Triangle Art Signature turntable ($12,500). Seen here are the Ikeda IT-407 arm ($6500) and Kai cartridge ($7500); I have in hand a review sample of the former, and will report on it soon. Also in the Beauty of Sound system but not seen here were the Tube Guru all-tube Reference Phono preamplifier ($5400) and Rick Schultz’s High Fidelity cables, which, I’m told, use a patented magnetic signal-transfer technology. Sadly, the aforementioned Leonardo loudspeakers, which sounded great, proved too glossy and black for my camera.
Innovation from VPI
Mat Weisfield was ultra-stoked to tell me about VPI's new 3D-printed tonearm. I'll let Art do the explaining, but when I heard the VPI room, images were rock solid and full-bodied through the 3D printed tonearm and nascent VPI Classic Direct. A turntable created out of happenstance, when the chassis for the planned direct-drive Vanquish was not ready for the show, they stuck the Vanquish parts into a Classic chassis and the VPI Classic Direct (approximately $20-25k) was born. Resourceful, those VPI fellas.
Innovative Audio: Three Men and An Awesome System
From left: Dan D’Agostino, Vince Galbo of MSB, and Peter McGrath of Wilson Audio Specialties.
In association with Innovative Audio, these gentleman put together a high-performance system made of Wilson Alexia loudspeakers ($48,500/pair); D’Agostino Momentum monoblocks ($55,000/pair) and Ultra-Analog preamplifier ($32,000 with power base); MSB Diamond DAC IV Plus ($27,995) with FemtoSecond Galaxy Clock ($4995), Diamond Stepped Attenuator ($2995), USB2 Signature 384kHz input option ($1395), Pro IS input option ($995), Diamond ($5995) and Signature ($4995) power bases, and Platinum Data CD IV disc player ($3995); and Transparent Reference XL speaker cables ($13,160/pair), balanced interconnects ($9270/pair), and digital interconnects ($3195 each). Power conditioning was also from Transparent, while the equipment was supported by Finite Element Pagode racks.
International Feel from Rhapsody Music & Cinema
Raidho D1 loudspeakers from Denmark ($20,000/pair), Merrill Veritas amplifiers from Colorado ($12,000/pair), a Kondo G-70 line-level preamplifier from Japan ($35,000), and a Pi Greco Sinfonia CD player from Italy ($15,000) managed to get along nicely in one of the Rhapsody Music and Cinema rooms.
Joseph Audio
Let's just come out and say it: loudspeaker designer Jeff Joseph, of Joseph Audio, always makes a good sound, and his system's performance at this venue was no exception: organic, open, natural, un-spectacular, un-bombastic, and just plain lovely. The speakers in question were the Joseph Audio Pulsars ($7000/pair), driven by a Unison Unico 50 amplifier ($1450), fed by a Lynx Hilo D/A converter (street price: $2500) and a laptop equipped with Channel D's Pure Music software ($129). Cables were by Cardas.
KEF, Audio Electronics, & Wireworld
While there were many exciting cost-no-object systems on display, the New York Audio Show was also home to refreshingly small and simple systems that nevertheless offered exceptional performance.
KEF’s beautiful LS50 loudspeakers ($1500/pair) were partnered with Audio Electronics’ Constellation tube preamp ($1495), Hercules power amp ($1895), and Lightning DAC ($1295). Wireworld provided the cabling. The music, which came from a laptop, sounded forceful, dynamic, colorful, and present.
If I could have taken home any system from the New York Audio Show, it would have been this one.
Kondo Ongaku
Once hailed as the most expensive amplifier in domestic audio—a distinction that has long since passed by the wayside, even when one accounts for inflation—the legendary Audio Note (Japan) Ongaku was put through its paces in the Kondo room. Though designed as an integrated amp—its stereo pair of 211 tubes, run single-ended, offer 27Wpc—this Ongaku was being used as a power amplifier, by means of its direct inputs. Pricing information was unavailable at the time of my visit.