CES 2016

Chord Electronics had their suite divided into two rooms at CES, the main room as shown in the photo above and the smaller back room where all the headphone listening was taking place. Chord had their Mojo and Hugo TT DACs set up with a variety of Audeze headphones as reported earlier.

But in the main room was their latest DAVE DAC (which I'll be profiling in a later post) as well as some of their best electronics. The system was topped off with one of my personal favorites, the Vienna Acoustics The Music loudspeakers.

We had spent the morning and early afternoon listening to systems in the big suites, and now it was time to downscale the room size and budget just a bit. I promised Graham Nash that we would try to mix up the types of products he heard, so we headed down to Devore Fidelity on the 30th floor of the Venetian.

Though not a listening stop, we had to say hello to the guys from Mobile Fidelity including (L-R in the photo above) Rob Loverde, Shawn Britton and Jonathan Derda. Turns out Shawn has mastered some of Graham's work, so they immediately set to talking about the new album and the possibility of MoFi getting their hands on it.

After a quick mid-morning breakfast with Graham Nash that included AudioStream.com's Michael Lavorgna, we headed up to the top floor of the Mirage hotel to start our day at Philip O'Hanlon's On a Higher Note suite.

Before we walked into the room, Nash gave me a serious look and explained "What I'm looking for is that the intent of my message, the impact of the song, is communicated intact. This is the first time I've heard these songs outside of the studio, so this should be very interesting. I'm looking forward to this."

We were clearly off to a good start, so I was wondering what Graham Nash's reaction would be to an all out audiophile assault.

I explained to Nash that the Vivid speakers and Luxman system we just heard were relatively compact, by audiophile standards (though by no means modest), and that the next room would be more typical of the cost-no-object approach. Judged by Graham's "impact of the music" criteria, would bigger necessarily be better, or might it detract from the musical intent he was looking for?

GTT Audio has taken over the US distribution of Bruno Putzey's Mola Mola line and was showing the new, completely optioned Makua linestage. Checking all the boxes when ordering this $11,740 components adds a $2900 phono section, a $6600 DAC, or a $1890 DAC. The Makua can be controlled by the MolaMola App, shown here running on a Samsung tablet.

Delta flight 2820: At 497mph the ambient noise in the cabin averaged 94dB and registered 101dB peaks. That is at least 40dB louder than a candlelit night in my listening room. Artur Schnabel brings it up to (at most) 90dB and the loudest I have ever played Led Zep on the Magnepan .7s is 102dB. Now, I can't wait to rinse that crazy engine noise from my ears and hear some clean clear beautifully toned hi-fidelity music at maybe 103dB—or more! But these clear-sounding components must be moderately priced—because I am a cub reporter and new products that cost less than $5k is the assignment I volunteered for.