Revinylization

Kathryn Dawn Lang was country ... until she wasn't. A native of the Canadian province of Alberta, lang (who prefers her name lowercase) grew obsessed with Patsy Cline and country music in general before she was out of college. She joined the Patsy-focused country act The Reclines in 1983 in Edmonton. They released their first album, A Truly Western Experience, in 1984.

Styled as "cowpunk" by many, the album caught the ear of pub-rocker Dave Edmunds, who produced the band's next, rockier album, Angel with a Lariat. That album, in turn, found its way to Patsy Cline's one-time producer Owen Bradley, who in 1988 produced lang's solo debut, Shadowland, on Sire Records. Shadowland and the Reclines' final album, 1989's Absolute Torch and Twang, convinced lang that she was too adventurous—not to mention too gay and Canadian—for the 1980s country music establishment.

For Warner Music Group, the Doors have been a deep vein of music gold. Their albums have never been out of print, and the catalog has enjoyed regular reissues for decades. Each new version of the Doors' first six albums sells well enough to prompt another trip to the vaults.

The latest moonlight drive down love street is a series of all-analog LPs from Rhino High Fidelity (RHF). A limited-edition numbered box set version sold out in days; un-numbered single LPs will sell until the production parts wear out. Cut by Kevin Gray at Cohearant Mastering using his Studer A-80 tape machine and Neumann VMS-66 lathe with Technics quartz-drive motor, they were plated and pressed at Optimal in Germany and are housed in the heavy-cardboard gatefold jackets used throughout the RHF series.

In 2010, the funky-eclectic New Orleans band Galactic—known today as much for being the owners of the city's storied Tipitina's club as for their music—cut their song "Heart of Steel" with singer Irma Thomas for their album, Ya-Ka-May. The band noticed that Thomas soon included the same tune in the sets that she played with her band. In 2022, Galactic decided to revisit the Thomas connection and came up with the idea of collaborating with her on an entire album of new music.

As a music teacher, I can think of no better learning experience than what trumpeter Donald Byrd did in the early 1970s for a group of his music students. To quote the band's current website, "Byrd envisioned taking active students at Howard University in Washington, DC, on a real-world field trip which would expose them to ins and outs of the music business."

Way back in my ignorant youth I thought that Pablo Records, the label of jazz producer/promoter legend Norman Granz, was where jazz artists went to fade away, where they were put out to pasture. I thought the black discs inside Pablo's black-and-white jackets, which depicted jazz greats tracking sessions in their twilight years, couldn't compete with the music of younger jazz guns.

In 1979, I was the road drummer for Boston singer-songwriter Andy Pratt, a local celebrity known for his musical talent—showcased on his 1973 Columbia album Andy Pratt . . . I was part of the touring band for Pratt's Motives album, performing regional hits like "That's When Miracles Occur," a standout track from his 1976 breakthrough, Resolution.

There's widespread consensus that Shohei Ohtani's performance in Game 4 of the 2025 National League Championship Series was the greatest in baseball history: at the plate, 3 for 3 with three home runs; on the mound, six innings with 10 strikeouts and only 2 hits allowed. That defines double threat. Almost seven decades earlier, jazz's original triple threat made his first record—Triple Threat—for the King label.