Nanci Griffith
A vital member of the second wave of Texas singer-songwriters that emerged in the 1970s and included Lucinda Williams, Butch Hancock, and Lyle Lovett, Nanci Griffith was a product of a time when, to paraphrase a once-ubiquitous bumper sticker, Austin was still weird. Gifted with a delicate, sweet voice and fierce determination, she started playing out at the age of 12 and getting paid at 14. While never having the ability to project Joan Baezlike volume, she could certainly fill a room. And while her voice could at times take on a flat, almost-nasal resonance, her tight vibrato was strong and evocatory the more you listened.
New Music from Johnny Cash & Paul McCartney
At this late date, it seems impossible that there could still be "lost" albums lingering in the vaults by musicians as important and successful as Johnny Cash and Paul McCartney. And yet Universal Music has just released "new" albums by both artists that significantly add to their already hallowed recording catalogs.
ORG's Dave Gardner Rescues a Bad Brains Album
Playing an astonishingly original mix of reggae and thrashy punk rock, Bad Brains released their self-titled, cassette-only 1982 debut on ROIR records. Punk rock is notorious for eschewing well-recorded music in favor of lo-fi murk, and that original tape fit the pattern. But the next year, the turbulent foursomeguitarist Dr. Know, bassist Darryl Jenifer, drummer Earl Hudson, and vocalist H.R.went into Synchro Sound in Boston with Ric Ocasek of The Cars and tracked Rock for Light, a huge step up in the quality of Bad Brains' recorded sound.
Ray Mason Keeps His Grip
Staying up on what's new in music ain't easy these days, in a world short on new record stores and long on websites, social media blather, and celebrity. Asked what he listens to when he's not writing music, fast-talking septuagenarian Ray Mason exudes a teenager's eager urgency.
"I keep my ears open. I've been listening to new stuff by people I have been following for years like Nick Lowe and The Straitjackets, Rodney Crowell, Kathleen Edwards, and Lucinda Williams. And then Craig Finn. I don't own any Hold Steady albums, but I love his last two solo albums. He has a new one coming out that [Adam] Granduciel from War on Drugs produced. And The Beths of course, Expert in a Dying Field. I remember hearing [The dB's] Pete Holsapple raving about that on the web and I went, I've gotta get that album!"
Records for the New Land
Resurrecting musical treasures is a tough business. The explosion of vinyl-reissue labels, ranging from superlative to second-rate, has made it increasingly difficult for newcomers to stand outto make the kind of splash that serious LP buyers will notice. Even more elusive is endurance and turning a profit. The affable, musically savvy James Batsford, owner of a pair of vinyl-only UK labels, New Land Records and Omerta Records, can't help but laugh over our New YorktoLondon Zoom connection when I ask why an obviously intelligent person with taste, like himself, would jump into the vinyl-reissue tarpit?
Remembering Three Dog Night
All "serious" music fans know pop music is kid's stuff: too simple, too accessible, the embodiment of that cringeworthy moniker "disposable." But pop music is also what keeps the lights on in the music business, selling gobs of streams, merchandise, and concert tickets. And hasn't that always been the case?
Return to Analog's Pierre Markotanyos
The return of vinyl, which has stayed popular and profitable since its resurgence, has now developed a surprising nuance. Pierre Markotanyos, the owner of the reissue label Return to Analog and Montreal record store Aux 33 Tours (which refers to the speed at which an LP spins), has noticed a distinct change in the makeup of who's buying vinyl these days. "In the late 2000s," Markotanyos reflects, "it was mostly 55-to-70-year-old guys who were coming in, buying records to play on their high-end stereos that they bought at the audio show in Montreal." [Sound familiar, Stereophile readers?] "They were the purists and the true believers."
Shanachie Records' New Vinyl-Reissue Series
"The term 'sales' is an anachronism. Today, it's about streaming and ancillary income."—Randall Grass, general manager at Shanachie Entertainment.
Sly Stone, a Great, Recent Musical Loss
Super fans who dig deeper into a favorite artist's recording catalog eventually come to the crossroads of performance versus sonics. In the case of Sly Stone, who died this past June at age 82, that question has new relevance with the release on CD and vinyl of a "new" Sly and the Family Stone record, The First Family: Live at Winchester Cathedral 1967.
Some funky strains from Craft Recordings & Vinyl Me, Please
It's time to address a snarky rumor, a persistent urban legend surrounding music fans who care about listening in the highest quality sound possible. It's been posited from time to time that quality gear and heavy, quiet LP pressings go better with a certain intoxicantthat you have to get high to truly have the fullest possible listening experience.