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T.H.E. Show Newport Beach Starts Friday

"Bigger, bigger, bigger...more, more, more!" That's how Richard Beers, President of The Home Entertainment Show Newport Beach, aka T.H.E. Show Newport Beach, describes the second installment of what he and co-conspirator Bob Levi, President of the Los Angeles and Orange County Audio Society (LA&OC Audio Society), wryly call "An Audio Tradition...Since Last Year."


Scheduled for Friday June 1–Sunday June 3 in sunny Orange County, California's red state within a blue state, the second annual T.H.E. Show Newport Beach has already expanded from the Hilton Hotel, right across the street from the John Wayne/Orange County Airport, to the adjacent Atrium Hotel. Just shy of 300 exhibitors are expected to fill 80 hotel rooms and 15 huge exhibit rooms in the Hilton, 10 or 12 booths in the Hilton "Marketplace," and another 35–40 hotel rooms and 15 huge exhibit rooms in the Atrium.

The Greatness of Baritone Dietrich Fischer-Dieskau

If any single voice was synonymous with the flowering of the LP era, it was that of German baritone Dietrich Fischer-Dieskau. The great artist's death at his home in Bavaria on Friday, May 18, 10 days short of his 87th birthday, sets the final seal on an age in which art song, oratorio, and opera received equal respect from record companies and the listening public.


Equally adept at all three disciplines, Fischer-Dieskau became perhaps the most recorded baritone in history. There was a period in which nary a month went by without another LP from Fischer-Dieskau on which he sang either solo or in ensemble. Even today, when so many recordings have gone out of print, and large number of LPs have never been remastered for CD, arkivmusic.com lists no less than 490 titles that include Fischer-Dieskau's voice. The most recent release, a four-SACD remastered compilation of some of the monaural Schubert lieder (art song) recordings he made with pianists Gerald Moore and Karl Engel early in his career, became available on the website on May 8. Its 39 performances are but a fraction of the Schubert recordings he made in his five decades before the microphone.

Dolby® Upsamples & Apodizes TrueHD

Pictured (from left to right): Rhonda Wilson, Senior Member, Technical Staff, Products & Technology Group, Dolby Laboratories; Craig Eggers, Director, Content Creation and Playback, Home Theater Ecosystem, Dolby Laboratories; Poppy Crum, Senior Staff Scientist, Dolby Laboratories pose with some of the most recent titles using Dolby TrueHD with advanced 96k up sampling.


At 12 noon PST today, Dolby Laboratories, Inc. announced the availability of the first Blu-ray Discs™ premastered using Dolby® TrueHD with advanced 96k upsampling, The process, designed for use by studios, authoring houses, and mastering facilities, elevates playback performance of lossless audio on Blu-ray Disc™ by using the apodizing filter developed by Meridian.

The Audio Society of Minnesota Conducts Cable Comparison Tests

Between listening sessions, cabled were switched.


Each monthly issue of Stereophile includes an updated calendar of all the different hi-fi events taking place across the United States. We also maintain this calendar on our Facebook Events page. One of the events that really caught our eye was the Blind Cable Comparison Tests performed by the Audio Society of Minnesota, which took place on Tuesday, April 17th. Here is the report as submitted by members of the Audio Society of Minnesota. The Society reported record crowds for this event. Hopefully, this spirit of questioning, discovery, and fun will spread to other audio events across the country

Upper East Side Fringe: The Show at Lyric

Stephen Mejias: On Thursday, April 12, Stereophile’s editorial assistant, Ariel Bitran, and I left the office at around 5pm, walked over to Grand Central, hopped on the 6 train, and made our way to New York City’s Lyric Hi-Fi.


As Ariel discussed last week, Lyric was one of two premier NYC dealers&#151the other was Stereo Exchange&#151that opted against participating in the New York Audio & AV Show, and instead held their own events.


Because both Lyric and Stereo Exchange are successful operations, run by smart people, we figured they must have good reasons for doing things their own way. But, even as the weekend approached, those reasons weren’t fully clear. Were financial obstacles impossible to overcome? Were issues of logistics too much of a burden? Had there been some sort of communication breakdown between the dealers and the show’s organizers? Did it simply make little sense for Lyric and Stereo Exchange to participate, or were they just being hard-nosed, stubborn, elitist?


Perhaps we would find some answers inside.

East Village Fringe: Stereo Exchange during NYAV weekend

The big guns: Sonus Faber’s new flagship loudspeaker, the Aida, with electronics from Audio Research.


The early bird catches the worm, but the well-warmed playback system is another thing altogether: So it was when I visited New York’s Stereo Exchange on the morning of April 13, mere minutes after they opened their doors for the day. Nevertheless, the ever-genial David Wasserman and his staff hit the ground running, cheek-to-jowl with eager customers and representatives from 11 equipment suppliers, whose presence had at least something to do with the New York Audio and AV Show.

Innovative Innovative Audio

Innovative's Elliot Fishkin (center) flanked by Wilson Audio Specialties' Peter McGrath (left) and VTL's Luke Manley (right).


As we reported below, Manhattan retailers Lyric and Stereo Exchange decided not to participate in the New York Audio & AV Show, instead holding standalone events at their stores. There are valid reasons for this decision, not the least of which is that the manufacturers are spared the crapshoot of setting up their systems in rooms with unknowable acoustics. By contrast, every dem room at a retailer is, or should be, an optimized machine for making audio components sound at their best, which surely is the point. However, if every retailer decided to do this, there would be insufficient support for the main show to take place. There would thus be no shows at all, an example of what has been called the "Tragedy of the Commons."


Props, therefore, to Innovative Audio, who both participated in the NY Audio & AV Show with passive and active rooms, but who also invited Showgoers to their premises after the Show closed Friday and Saturday evenings to take a listen under more controlled conditions.

New York Show Starts Friday 4/13

"New York, New York, It's an Audio Town!" After far too many years without a large-scale audio show, New York City is about to get a taste of what regularly enriches the lives of audiophiles in other major centers around the world. The first, hopefully annual New York Audio and AV Show, brought to you by the same Chester Group that mounts audio shows in the UK, Australia, and Sweden, and by T.H.E. Show USA, takes place in Park Avenue's grand Waldorf=Astoria Hotel at 301 Park Avenue on Friday April 13–Sunday, April 15.
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