Palisades
Being a Scene means that people will come no matter who or what is onstage, just to be a part of the…Scene.
Robert Baird
Rip It Up
His screams, rapid fire delivery, and end-of-line trills in tracks like “Lucille,” “Jenny Jenny” and of course, “Tutti Frutti,” every one recorded with an overloaded microphone, are impassioned in the extreme.
Soul Men
Perhaps the best attribute that older soul cats bring to a project like this is their knowledge of repertoire.
Bruce Lundvall
A fan of music and those who make it, he was one of the last labels heads to actually listen to music and care about musicians.
The Thrill Has Gone
His long, single note leads gave new meaning to the word “stinging,”
SoulPsychJamRocktastic
What keeps Waterfall, the band’s seventh album and the first in four years, from sinking into a kind of earnest, overly precious, 1970s lite rock muck is that James’s many influences are a mist and not a downpour.
Singer/Songwriters: The Formative Years
While the mass ogling was in full swing and the sickly sweet aroma of jittery, prepubescent testosterone hung heavy in the classroom, I was equally interested in Miss Wagner’s musical selections.
Bow to the Temples of Syrinx
Deep into what Geddy Lee now calls their “kimono period,” the band wrote and recorded, 2112, ("Twenty One Twelve") a record that makes them incredibly pretentious dorks or prog rock gods (in kimonos).
Love Wants To Dance
After Breezin’ Benson’s well-known fondness for James Brown funk broke out into the open